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New Philadelphia Book Publisher Highlights Local Talent
Book and Publishing News from Publishers Newswire(tm)

Looking for Child to be on Cover of a New Book, 'The Model Child'
PHILADELPHIA, Pa. -- The Philadelphia literary world will celebrate the launch of two new players today, April 10th: Kay Square Press, a new publishing company focused on Philadelphia-area artists, their stories, and their art; and Kay Square's first release, 'With the Rich and Mighty: Emlen Etting of Philadelphia' (ISBN: 978-0-9815129-0-7), a critical biography by Kenneth C. Kaleta.

FlatSigned Press Alleges Don Imus Remarks Damage Legacy of President Gerald R. Ford
NEW YORK, N.Y. -- Nathan Yungerberg, an accomplished model scout and professional child photographer is launching a nation-wide casting call to find the cover model for his highly anticipated book release, 'The Model Child: A Parents Guide to the Child Modeling Industry' (ISBN: 978-0-9817018-0-6).


Books: Literary and Philosophical Essays

V >> Various >> Literary and Philosophical Essays

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Before he came, all that was known of English literature was the
French translation of Shakespeare, and the anathema hurled by
Voltaire against the "intoxicated barbarian." It is since Byron that
we Continentalists have learned to study Shakespeare and other
English writers. From him dates the sympathy of all the true-hearted
amongst us for this land of liberty, whose true vocation he so
worthily represented among the oppressed. He led the genius of
Britain on a pilgrimage throughout all Europe.

England will one day feel how ill it is--not for Byron but for
herself--that the foreigner who lands upon her shores should search
in vain in that temple which should be her national Pantheon, for
the poet beloved and admired by all the nations of Europe, and for
whose death Greece and Italy wept as it had been that of the noblest
of their own sons.

In these few pages--unfortunately very hasty--my aim has been, not
so much to criticise either Goethe or Byron, for which both time and
space are wanting, as to suggest, and if possible lead, English
criticism upon a broader, more impartial, and more useful path than
the one generally followed. Certain travellers of the eleventh
century relate that they saw at Teneriffe a prodigiously lofty tree,
which, from its immense extent of foliage, collected all the vapors
of the atmosphere; to discharge them, when its branches were shaken,
in a shower of pure and refreshing water. Genius is like this tree,
and the mission of criticism should be to shake the branches. At the
present day it more resembles a savage striving to hew down the
noble tree to the roots.





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