Books: The Ink Stain, v2
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Rene Bazin >> The Ink Stain, v2
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One of my customers was a very nice young lady--you know who! I have not
talked to her of you, but I have often wanted to. By the way, Monsieur
Mouillard, did I do my errand well?"
"What errand?"
"The important one, about the portrait at the Salon."
"Oh, yes; very well indeed. I must thank you."
"She came?"
"Yes, with her father."
"She must have been pleased! The drawing was so pretty. Plumet, who is
not much of a talker, is never tired of praising it. I tell you, he and
I did not spare ourselves. He made a bit of a fuss before he would take
the order; he was in a hurry--such a hurry; but when he saw that I was
bent on it he gave in. And it is not the first time he has given in.
Plumet is a good soul, Monsieur Mouillard. When you know him better you
will see what a good soul he is. Well, while he was cutting out the
frame, I went to the porter's wife. What a business it was! I am glad
my errand was successful!"
"It was too good of you, Madame Plumet; but it was useless, alas! she is
to marry another."
"Marry another? Impossible!"
I thought Madame Plumet was about to faint. Had she heard that her son
Pierre had the croup, she could not have been more upset. Her bosom
heaved, she clasped her hands, and gazed at me with sorrowful compassion.
"Poor Monsieur Mouillard!"
And two tears, two real tears, coursed down Madame Plumet's cheeks.
I should have liked to catch them. They were the only tears that had
been shed for me by a living soul since my mother died.
I had to tell her all, every word, down to my rival's name. When she
heard that it was Baron Dufilleul, her indignation knew no bounds. She
exclaimed that the Baron was an awful man; that she knew all sorts of
things about him! Know him? she should think so! That such a union was
impossible, that it could never take place, that Plumet, she knew, would
agree with her:
"Madame Plumet," I said, "we have strayed some distance from the business
which brought you here. Let us return to your affairs; mine are
hopeless, and you can not remedy them."
She got up trembling, her eyes red and her feelings a little hurt.
"My action? Oh, no! I can't attend to it to-day. I've no heart to talk
about my business. What you've told me has made me too unhappy. Another
day, Monsieur Mouillard, another day."
She left me with a look of mystery, and a pressure of the hand which
seemed to say: "Rely on me!"
Poor woman!
CHAPTER XII
I GO TO ITALY
June 10th.
In the train. We have passed the fortifications. The stuccoed houses of
the suburbs, the factories, taverns, and gloomy hovels in the debatable
land round Paris are so many points of sunshine in the far distance. The
train is going at full speed. The fields of green or gold are being
unrolled like ribbons before my eyes. Now and again a metallic sound and
a glimpse of columns and advertisements show that we are rushing through
a station in a whirlwind of dust. A flash of light across our path is a
tributary of the river. I am off, well on my way, and no one can stop
me--not Lampron, nor Counsellor Boule, nor yet Plum et. The dream of
years is about to be realized. I am going to see Italy--merely a corner
of it; but what a pleasure even that is, and what unlooked-for luck!
A few days ago, Counsellor Boule called me into his office.
"Monsieur Mouillard, you speak Italian fluently, don't you?"
"Yes, sir." "Would you like a trip at a client's expense?"
"With pleasure, wherever you like."
"To Italy?"
"With very great pleasure."
"I thought so, and gave your name to the court without asking your
consent. It's a commission to examine documents at Milan, to prove some
copies of deeds and other papers, put in by a supposititious Italian heir
to establish his rights to a rather large property. You remember the
case of Zampini against Veldon and others?"
"Quite well."
"It is Zampini's copies of the deeds on which he bases his claim which
you will have to compare with the originals, with the help of a clerk
from the Record Office and a sworn translator. You can go by Switzerland
or by the Corniche route, as you please. You will be allowed six hundred
francs and a fortnight's holiday. Does that suit you?"
"I should think so!"
"Then pack up and be off. You must be at Milan by the morning of the
eighteenth."
I ran to tell the news to Lampron, who was filled with surprise and not a
little emotion at the mention of Italy. And here I am flying along in
the Lyons express, without a regret for Paris. All my heart leaps
forward toward Switzerland, where I shall be to-morrow. I have chosen
this green route to take me to the land of blue skies. Up to the last
moment I feared that some obstacle would arise, that the ill-luck which
dogs my footsteps would keep me back, and I am quite surprised that it
has let me off. True, I nearly lost the train, and the horse of cab No.
7382 must have been a retired racer to make up for the loss of time
caused by M. Plumet.
Counsellor Boule sent me on a business errand an hour before I started.
On my way back, just as I was crossing the Place de l'Opera in the
aforesaid cab, a voice hailed me:
"Monsieur Mouillard!"
I looked first to the right and then to the left, till, on a refuge, I
caught sight of M. Plumet struggling to attract my attention. I stopped
the cab, and a smile of satisfaction spread over M. Plumet's countenance.
He stepped off the refuge. I opened the cab-door. But a brougham
passed, and the horse pushed me back into the cab with his nose. I
opened the door a second time; another brougham came by; then a third;
finally two serried lines of traffic cut me off from M. Plumet, who kept
shouting something to me which the noise of the wheels and the crowd
prevented me from hearing. I signalled my despair to M. Plumet. He rose
on tiptoe. I could not hear any better.
Five minutes lost! Impossible to wait any longer! Besides, who could
tell that it was not a trap to prevent my departure, though in friendly
guise? I shuddered at the thought and shouted:
"Gare de Lyon, cabby, as fast as you can drive!"
My orders were obeyed. We got to the station to find the train made up
and ready to start, and I was the last to take a ticket.
I suppose M. Plumet managed to escape from his refuge.
GENEVA.
On my arrival I found, keeping order on the way outside the station, the
drollest policeman that ever stepped out of a comic opera. At home we
should have had to protect him against the boys; here he protects others.
Well, it shows that I am really abroad.
I have only two hours to spare in this town. What shall I see? The
country; that is always beautiful, whereas many so-called "sights" are
not. I will make for the shores of the lake, for the spot where the
Rhone leaves it, to flow toward France. The Rhone, which is so muddy at
Avignon, is clean here; deep and clear as a creek of the sea. It rushes
along in a narrow blue torrent compressed between a quay and a line of
houses.
The river draws me after it. We leave the town together, and I am soon
in the midst of those market-gardens where the infant Topffer lost
himself, and, overtaken by nightfall, fell to making his famous analysis
of fear. The big pumping wheels still overtop the willows, and cast
their shadows over the lettuce-fields. In the distance rise slopes of
woodland, on Sundays the haunt of holiday-makers. The Rhone leaps and
eddies, singing over its gravel beds. Two trout-fishers are taxing all
their strength to pull a boat up stream beneath the shelter of the bank
Perhaps I was wrong in not waiting to hear what M. Plumet had to tell me.
He is not the kind of man to gesticulate wildly without good reason.
ON THE LAKE.
The steamer is gaining the open water and Geneva already lies far behind.
Not a ripple on the blue water that shades into deep blue behind us.
Ahead the scene melts into a milky haze. A little boat, with idle sails
embroidered with sunlight, vanishes into it. On the right rise the
mountains of Savoy, dotted with forests, veiled in clouds which cast
their shadows on the broken slopes. The contrast is happy, and I can not
help admiring Leman's lovely smile at the foot of these rugged mountains.
At the bend in the banks near St. Maurice-en-Valais, the wind catches us,
quite a squall. The lake becomes a sea. At the first roll an
Englishwoman becomes seasick. She casts an expiring glance upon Chillon,
the ancient towers of which are being lashed by the foam. Her husband
does not think it worth his while to cease reading his guide-book or
focusing his field-glass for so trifling a matter.
ON THE DILIGENCE
I am crossing the Simplon at daybreak, with rosepink glaciers on every
side. We are trotting down the Italian slope. How I have longed for the
sight of Italy! Hardly had the diligence put on the brake, and begun
bowling down the mountain-side, before I discovered a change on the face
of all things. The sky turned to a brighter blue. At the very first
glance I seemed to see the dust of long summers on the leaves of the
firs, six thousand feet above the sea, in the virgin atmosphere of the
mountain-tops: and I was very near taking the creaking of my loosely
fixed seat for the southern melody of the first grasshopper.
BAVENO
No one could be mistaken; this shaven, obsequious, suavely jovial
innkeeper is a Neapolitan. He takes his stand in his mosaic-paved hall,
and is at the service of all who wish for information about Lago
Maggiore, the list of its sights; in a word, the programme of the piece.
ISOLA BELLA, ISOLA MADRE.
Yes, they are scraped clean, carefully tended, pretty, all a-blowing and
a-growing; but unreal. The palm trees are unhomely, the tropical plants
seem to stand behind footlights. Restore them to their homes, or give me
back Lake Leman, so simply grand.
MENAGGIO.
After the sky-blue of Maggiore and the vivid green of Lugano, comes the
violet-blue of Como, with its luminous landscape, its banks covered with
olives, Roman ruins, and modern villas. Never have I felt the air so
clear. Here for the first time I said to myself: "This is the spot where
I would choose to dwell." I have even selected my house; it peeps out
from a mass of pomegranates, evergreens, and citrons, on a peninsula
around which the water swells with gentle murmur, and whence the view is
perfect across lake, mountain, and sky.
A nightingale is singing, and I can not help reflecting that his fellows
here are put to death in thousands. Yes, the reapers, famed in poems and
lithographs, are desperate bird-catchers. At the season of migration
they capture thousands of these weary travellers with snares or limed
twigs; on Maggiore alone sixty thousand meet their end. We have but
those they choose to leave us to charm our summer nights.
Perhaps they will kill my nightingale in the Carmelite garden. The idea
fills me with indignation.
Then my thoughts run back to my rooms in the Rue de Rennes, and I see
Madame Menin, with a dejected air, dusting my slumbering furniture;
Lampron at work, his mother knitting; the old clerk growing sleepy with
the heat and lifting his pen as he fancies he has got a bite; Madame
Plumet amid her covey of workgirls, and M. Plumet blowing away with
impatient breath the gold dust which the gum has failed to fix on the
mouldings of a newly finished frame.
M. Plumet is pensive. He is burdened with a secret. I am convinced I
did wrong in not waiting longer on the Place de L'Opera.
MILAN.
At last I am in Milan, an ancient city, but full of ideas and energy, my
destination, and the cradle of the excellent Porfirio Zampini, suspected
forger. The examination of documents does not begin till the day after
to-morrow, so I am making the best of the time in seeing the sights.
There are four sights to see at Milan if you are a musician, and three if
you are not: the Duomo, 'vulgo', cathedral; "The Marriage of the Virgin,"
by Raphael; "The Last Supper," by Leonardo; and, if it suits your tastes,
a performance at La Scala.
I began with the Duomo, and on leaving it I received the news that still
worries me.
But first of all I must make a confession. When I ascended through the
tropical heat to the marble roof of the cathedral, I expected so much
that I was disappointed. Surprise goes for so much in what we admire.
Neither this mountain of marble, nor the lacework and pinnacles which
adorn the enormous mass, nor the amazing number of statues, nor the sight
of men smaller than flies on the Piazza del Duomo, nor the vast stretch
of flat country which spreads for miles on every side of the city--none
of these sights kindled the spark of enthusiasm within me which has often
glowed for much less. No, what pleased me was something quite different,
a detail not noticed in the guide-books, I suppose.
I had come down from the roof and was wandering in the vast nave from
pillar to pillar, when I found myself beneath the lantern. I raised my
eyes, but the flood of golden light compelled me to close them. The
sunlight passing through the yellow glass of the windows overhead
encircled the mighty vault of the lantern with a fiery crown, and played
around the walls of its cage in rays which, growing fainter as they fell,
flooded the floor with their expiring flames, a mysterious dayspring,
a diffused glory, through which litany and sacred chant winged their way
up toward the Infinite.
I left the cathedral tired out, dazed with weariness and sunlight, and
fell asleep in a chair as soon as I got back to my room, on the fifth
floor of the Albergo dell' Agnello.
I had been asleep for about an hour, perhaps, when I thought I heard a
voice near me repeating "Illustre Signore!"
I did not wake. The voice continued with a murmur of sibilants:
"Illustrissimo Signore!"
This drew me from my sleep, for the human ear is very susceptible to
superlatives.
"What is it?"
"A letter for your lordship. As it is marked 'Immediate,' I thought I
might take the liberty of disturbing your lordship's slumbers."
"You did quite right, Tomaso."
"You owe me eight sous, signore, which I paid for the postage."
"There's half a franc, keep the change."
He retired calling me Monsieur le Comte; and all for two sous--
O fatherland of Brutus! The letter was from Lampron, who had forgotten
to put a stamp on it.
"MY DEAR FRIEND:
"Madame Plumet, to whom I believe you have given no instructions so
to do, is at present busying herself considerably about your
affairs. I felt I ought to warn you, because she is all heart and
no brains, and I have often seen before the trouble into which an
overzealous friend may get one, especially if the friend be a woman.
"I fear some serious indiscretion has been committed, for the
following reasons.
"Yesterday evening Monsieur Plumet came to see me, and stood pulling
furiously at his beard, which I know from experience is his way of
showing that the world is not going around the right way for him.
By means of questions, I succeeded, after some difficulty, in
dragging from him about half what he had to tell me. The only thing
which he made quite clear was his distress on finding that Madame
Plumet was a woman whom it was hard to silence or to convince by
argument.
"It appears that she has gone back to her old trade of dress-making,
and that one of her first customers--God knows how she got there!--
was Mademoiselle Jeanne Charnot.
"Well, last Monday Mademoiselle Jeanne was selecting a hat. She was
blithe as dawn, while the dressmaker was gloomy as night.
"'Is your little boy ill, Madame Plumet?'
"'No, Mademoiselle.'
"'You look so sad.'
"Then, according to her husband's words, Madame Plumet took her
courage in her two hands, and looking her pretty customer in the
face, said:
"'Mademoiselle, why are you marrying?'
"'What a funny question! Why, because I am old enough; because I
have had an offer; because all young girls marry, or else they go
into convents, or become old maids. Well, Madame Plumet, I never
have felt a religious vocation, and I never expected to become an
old maid. Why do you ask such a question?'
"'Because, Mademoiselle, married life may be very happy, but it may
be quite the reverse!'
"After giving expression to this excellent aphorism, Madame Plumet,
unable to contain herself any longer, burst into tears.
"Mademoiselle Jeanne, who had been laughing before, was now amazed
and presently grew rather anxious.
"Still, her pride kept her from asking any further questions, and
Madame Plumet was too much frightened to add a word to her answer.
But they will meet again the day after to-morrow, on account of the
hat, as before.
"Here the story grew confused, and I understood no more of it.
"Clearly there is more behind this. Monsieur Plumet never would
have gone out of his way merely to inform me that his wife had given
him a taste of her tongue, nor would he have looked so upset about
it. But you know the fellow's way; whenever it's important for him
to make himself clear he loses what little power of speech he has,
becomes worse than dumb-unintelligible. He sputtered inconsequent
ejaculations at me in this fashion:
"'To think of it, to-morrow, perhaps! And you know what a
business! Oh, damnation! Anyhow, that must not be! Ah! Monsieur
Lampron, how women do talk!'
"And with this Monsieur Plumet left me.
"I must confess, old fellow, that I am not burning with desire to
get mixed up in this mess, or to go and ask Madame Plumet for the
explanation which her husband was unable to give me. I shall bide
my time. If anything turns up to-morrow, they are sure to tell me,
and I will write you word.
"My mother sends you her love, and begs you to wrap up warmly in the
evening; she says the twilight is the winter of hot climates.
"The dear woman has been a little out of sorts for the last two
days. Today she is keeping her bed. I trust it is nothing but a
cold.
"Your affectionate friend,
"SYLVESTRE LAMPRON."
CHAPTER XIII
STARTLING NEWS FROM SYLVESTRE
MILAN, June 18th.
The examination of documents began this morning. I never thought we
should have such a heap to examine, nor papers of such a length. The
first sitting passed almost entirely in classifying, in examining
signatures, in skirmishes of all kinds around this main body.
My colleagues and I are working in a room in the municipal Palazzo del
Marino, a vast deserted building used, I believe, as a storehouse. Our
leathern armchairs and the table on which the documents are arranged
occupy the middle of the room. Along the walls are several cupboards,
nests of registers and rats; a few pictures with their faces to the wall;
some carved wood scutcheons, half a dozen flagstaffs and a triumphal arch
in cardboard, now taken to pieces and rotting--gloomy apparatus of bygone
festivals.
The persons taking part in the examination besides the three Frenchmen,
are, in the first place, a little Italian judge, with a mean face,
wrinkled like a winter apple, whose eyelids always seem heavy with sleep;
secondly, a clerk, shining with fat, his dress, hair, and countenance
expressive of restrained jollity, as he dreams voluptuous dreams of the
cool drinks he means to absorb through a straw when the hour of
deliverance shall sound from the frightful cuckoo clock, a relic of the
French occupation, which ticks at the end of the room; thirdly, a
creature whose position is difficult to determine--I think he must be
employed in some registry; he is here as a mere manual laborer. This
third person gives me the idea of being very much interested in the
fortunes of Signore Porfirio Zampini, for on each occasion, when his
duties required him to bring us documents, he whispered in my ear:
"If you only knew, my lord, what a man Zampini is! what a noble heart,
what a paladin!"
Take notice that this "paladin" is a macaroni-seller, strongly suspected
of trying to hoodwink the French courts.
Amid the awful heat which penetrated the windows, the doors, even the
sun-baked walls, we had to listen to, read, and compare documents. Gnats
of a ferocious kind, hatched by thousands in the hangings of this
hothouse, flew around our perspiring heads. Their buzzing got the upper
hand at intervals when the clerk's voice grew weary and, diminishing in
volume, threatened to fade away into snores.
The little judge rapped on the table with his paperknife and urged the
reader afresh upon his wild career. My colleague from the Record Office
showed no sign of weariness. Motionless, attentive, classing the
smallest papers in his orderly mind, he did not even feel the' gnats
swooping upon the veins in his hands, stinging them, sucking them, and
flying off red and distended with his blood.
I sat, both literally and metaphorically, on hot coals. Just as I came
into the room, the man from the Record Office handed me a letter which
had arrived at the hotel while I was out at lunch. It was a letter from
Lampron, in a large, bulky envelope. Clearly something important must
have happened.
My fate, perhaps, was settled, and was in the letter, while I knew it
not. I tried to get it out of my inside pocket several times, for to me
it was a far more interesting document than any that concerned Zampini's
action. I pined to open it furtively, and read at least the first few
lines. A moment would have sufficed for me to get at the point of this
long communication. But at every attempt the judge's eyes turned slowly
upon me between their half-closed lids, and made me desist. No--a
thousand times no! This smooth-tongued, wily Italian shall have no
excuse for proving that the French, who have already such a reputation
for frivolity, are a nation without a conscience, incapable of fulfilling
the mission with which they are charged.
And yet.... there came a moment when he turned his back and began to
sort a fresh bundle with the man of records. Here was an unlooked-for
opportunity. I cut open the envelope, unfolded the letter, and found
eight pages! Still I began:
"MY DEAR FRIEND:
"In spite of my anxiety about my mother, and the care her illness
demands (to-day it is found to be undoubted congestion of the
lungs), I feel bound to tell you the story of what has happened in
the Rue Hautefeuille, as it is very important--"
"Excuse me, Monsieur Mou-il-ard," said the little judge, half turning
toward me, "does the paper you have there happen to be number twenty-
seven, which we are looking for?"
"Oh, dear, no; it's a private letter."
"A private letter? I ask pardon for interrupting you."
He gave a faint smile, closed his eyes to show his pity for such
frivolity, and turned away again satisfied, while the other members of
the Zampini Commission looked at me with interest.
The letter was important. So much the worse, I must finish it:
"I will try to reconstruct the scene for you, from the details which
I have gathered.
"The time is a quarter to ten in the morning. There is a knock at
Monsieur Plumet's door. The door opposite is opened half-way and
Madame Plumet looks out. She withdraws in a hurry, 'with her heart
in her mouth,' as she says; the plot she has formed is about to
succeed or fail, the critical moment is at hand; the visitor is her
enemy, your rival Dufilleul.
"He is full of self-confidence and comes in plump and flourishing,
with light gloves, and a terrier at his heels.
"'My portrait framed, Plumet?'
"'Yes, my lord-yes, to be sure.'
"'Let's see it.'
"I have seen the famous portrait: a miniature of the newly created
baron, in fresh butter, I think, done cheap by some poor girl who
gains her living by coloring photographs. It is intended for
Mademoiselle Tigra of the Bouffes. A delicate attention from
Dufilleul, isn't it? While Jeanne in her innocence is dreaming of
the words of love he has ventured to utter to her, and cherishes but
one thought, one image in her heart, he is exerting his ingenuity to
perpetuate the recollection of that image's adventures elsewhere.
"He is pleased with the elaborate and costly frame which Plumet has
made for him.
"'Very nice. How much?'
"'One hundred and twenty francs.'
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