Books: Cosmopolis, v2
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Paul Bourget >> Cosmopolis, v2
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The absolute tranquillity of one who replaces us in an unfaithful
mistress's affections augments our fury still more if we have the
misfortune to be placed in a position similar to Gorka's. In a moment
his rival's evocation became to him impossible to bear. He was very near
his own home, for he was just at that admirable square encumbered with
the debris of basilica, the Forum of Trajan, which the statue of St.
Peter at the summit of the column overlooks. Around the base of the
sculptured marble, legends attest the triumph of the humble Galilean
fisherman who landed at the port of the Tiber 1800 years ago, unknown,
persecuted, a beggar. What a symbol and what counsel to say with the
apostle: "Whither shall we go, Lord? Thou alone hast the words of
eternal life!"
But Gorka was neither a Montfanon nor a Dorsenne to hear within his heart
or his mind the echo of such precepts. He was a man of passion and of
action, who only saw his passion and his actions in the position in which
fortune threw him. A fresh access of fury recalled to him Maitland's
attitude of the preceding day. This time he would no longer control
himself. He violently pulled the surprised coachman's sleeve, and called
out to him the address of the Rue Leopardi in so imperative a tone that
the horse began again to trot as he had done before, and the cab to go
quickly through the labyrinth of streets. A wave of tragical desire
rolled into the young man's heart. No, he would not bear that affront.
He was too bitterly wounded in the most sensitive chords of his being, in
his love as well as his pride. Both struggled within him, and another
instinct as well, urging him to the mad step he was about to take. The
ancient blood of the Palatines, with regard to which Dorsenne always
jested, boiled in his veins. If the Poles have furnished many heroes for
dramas and modern romances, they have remained, through their faults, so
dearly atoned for, the race the most chivalrously, the most madly brave
in Europe. When men of so intemperate and so complex an excitability are
touched to a certain depth, they think of a duel as naturally as the
descendants of a line of suicides think of killing themselves.
Joyous Ardea, with his Italian keenness, had seen at a glance the end to
which Gorka's nature would lead him. The betrayed lover required a duel
to enable him to bear the treason. He might wound, he might, perhaps,
kill his rival, and his passion would be satisfied, or else he would risk
being killed himself, and the courage he would display braving death
would suffice to raise him in his own estimation. A mad thought
possessed him and caused him to hasten toward the Rue Leopardi, to
provoke his rival suddenly and before Madame Steno! Ah, what pleasure it
would give him to see her tremble, for she surely would tremble when she
saw him enter the studio! But he would be correct, as she had so
insolently asked him to be. He would go, so to speak, to see Alba's
portrait. He would dissemble, then he would be better able to find a
pretext for an argument. It is so easy to find one in the simplest
conversation, and from an argument a quarrel is soon born. He would
speak in such a manner that Maitland would have to answer him. The rest
would follow. But would Alba Steno be present? Ha, so much the better!
He would be so much more at ease, if the altercation arose before her,
to deceive his own wife as to the veritable reason of the duel. Ah, he
would have his dispute at any price, and from the moment that the seconds
had exchanged visits the American's fate would be decided. He knew how
to render it impossible for the fellow to remain longer in Rome. The
young man was greatly wrought up by the romance of the provocation and
the duel.
"How it refreshes the blood to be avenged upon two fools," said he to
himself, descending from his cab and inquiring at the door of the Moorish
house.
"Monsieur Maitland?" he asked the footman, who at one blow dissipated
his excitement by replying with this simple phrase, the only one of which
he had not thought in his frenzy:
"Monsieur is not at home."
"He will be at home to me," replied Boleslas. "I have an appointment
with Madame and Mademoiselle Steno, who are awaiting me."
"Monsieur's orders are strict," replied the servant.
Accustomed, as are all servants entrusted with the defence of an artist's
work, to a certain rigor of orders, he yet hesitated, in the face of the
untruth which Gorka had invented on the spur of the moment, and he was
about to yield to his importunity when some one appeared on the staircase
of the hall. That some one was none other than Florent Chapron. Chance
decreed that the latter should send for a carriage in which to go to
lunch, and that the carriage should be late. At the sound of wheels
stopping at the door, he looked out of one of the windows of his
apartment, which faced the street. He saw Gorka alight. Such a visit,
at such an hour, with the persons who were in the atelier, seemed to him
so dangerous that he ran downstairs immediately. He took up his hat and
his cane, to justify his presence in the hall by the very natural excuse
that he was going out. He reached the middle of the staircase just in
time to stop the servant, who had decided to "go and see," and, bowing to
Boleslas with more formality than usual:
"My brother-in-law is not there, Monsieur," said he; and he added,
turning to the footman, in order to dispose of him in case an altercation
should arise between the importunate visitor and himself, "Nero, fetch me
a handkerchief from my room. I have forgotten mine."
"That order could not be meant for me, Monsieur," insisted Boleslas.
"Monsieur Maitland has made an appointment with me, with Madame Steno,
in order to show us Alba's portrait."
"It is no order," replied Florent. "I repeat to you that my brother-in-
law has gone out. The studio is closed, and it is impossible for me to
undertake to open it to show you the picture, since I have not the key.
As for Madame and Mademoiselle Steno, they have not been here for several
days; the sittings have been interrupted."
"What is still more extraordinary, Monsieur," replied the other, "is that
I saw them with my own eyes, five minutes ago, enter this house and I,
too, saw their carriage drive away.".... He felt his anger increase and
direct itself altogether against the watch-dog so suddenly raised upon
the threshold of his rival's house.
Florent, on his part, had begun to lose patience. He had within him the
violent irritability of the negro blood, which he did not acknowledge,
but which slightly tinted his complexion. The manner of Madame Steno's
former lover seemed to him so outrageous that he replied very dryly, as
he opened the door, in order to oblige the caller to leave:
"You are mistaken,--Monsieur, that is all."
"You are aware, Monsieur," replied Boleslas, "of the fact that you just
addressed me in a tone which is not the one which I have a right to
expect from you.... When one charges one's self with a certain business,
it is at least necessary to introduce a little form."
"And I, Monsieur," replied Chapron, "would be very much obliged to you if,
when you address me, you would not do so in enigmas. I do not know what
you mean by 'a certain business,' but I know that it is unbefitting a
gentleman to act as you have acted at the door of a house which is not
yours and for reasons that I can not comprehend."
"You will comprehend them very soon, Monsieur," said Boleslas, beside
himself, "and you have not constituted yourself your brother's slave
without motives."
He had no sooner uttered that sentence than Florent, incapable any longer
of controlling himself, raised his cane with a menacing gesture, which
the Polish Count arrested just in time, by seizing it in his right hand.
It was the work of a second, and the two men were again face to face,
both pale with anger, ready to collar one another rudely, when the sound
of a door closing above their heads recalled to them their dignity. The
servant descended the stairs. It was Chapron who first regained his
self-possession, and he said to Boleslas, in a voice too low to be heard
by any one but him:
"No scandal, Monsieur, eh? I shall have the honor of sending two of my
friends to you."
"It is I, Monsieur," replied Gorka, "who will send you two. You shall
answer to me for your manner, I assure you."
"Ha! Whatsoever you like," said the other. "I accept all your
conditions in advance.... But one thing I ask of you," he added, "that
no names be mentioned. There would be too many persons involved. Let it
appear that we had an argument on the street, that we disagreed, and that
I threatened you."
"So be it," said Boleslas, after a pause. "You have my word. There is a
man," said he to himself five minutes later, when again rolling through
the streets in his cab, after giving the cabman the address of the Palais
Castagna. "Yes, there is a man.... He was very insolent just now, and I
lacked composure. I am too nervous. I should be sorry to injure the
boy. But, patience, the other will lose nothing by waiting."
CHAPTER VI
THE INCONSISTENCY OF AN OLD CHOUAN
While the madman, Boleslas, hastened to Ardea to ask his cooperation in
the most unreasonable of encounters, with a species of savage delight,
Florent Chapron was possessed by only one thought: at any price to
prevent his brother-in-law from suspecting his quarrel with Madame
Steno's former lover and the duel which was to be the result. His
passionate friendship for Lincoln was so strong that it prevented the
nervousness which usually precedes a first duel, above all when he who
appears upon the ground has all his life neglected practising with the
sword or pistol. To a fencer, and to one accustomed to the use of
firearms, a duel means a number of details which remove the thought of
danger. The man conceives the possibilities of the struggle, of a deed
to be bravely accomplished. That is sufficient to inspire him with a
composure which absolute ignorance can not inspire, unless it is
supported by one of those deep attachments often so strong within us.
Such was the case with Florent.
Dorsenne's instinct, which could so easily read the heart, was not
mistaken there; the painter had in his wife's brother a friend of self-
sacrificing devotion. He could exact anything of the Mameluke, or,
rather, of that slave, for it was the blood of the slaves, of his
ancestors, which manifested itself in Chapron by so total an absorption
of his personality. The atavism of servitude has these two effects which
are apparently contradictory: it produces fathomless capacities of
sacrifice or of perfidy. Both of these qualities were embodied in the
brother and in the sister. As happens, sometimes, the two
characteristics of their race were divided between them; one had
inherited all the virtue of self-sacrifice, the other all the puissance
of hypocrisy.
But the drama called forth by Madame Steno's infidelity, and finally by
Gorka's rashness, would only expose to light the moral conditions which
Dorsenne had foreseen without comprehending. He was completely ignorant
of the circumstances under which Florent had developed, of those under
which Maitland and he had met, of how Maitland had decided to marry
Lydia; finally an exceptional and lengthy history which it is necessary
to sketch here at least, in order to render clear the singular relations
of those three beings.
As we have seen, the allusion coarsely made by Boleslas to negro blood
marked the moment when Florent lost all self-control, to the point even
of raising his cane to his insolent interlocutor. That blemish, hidden
with the most jealous care, represented to the young man what it had
represented to his father, the vital point of self-love, secret and
constant humiliation. It was very faint, the trace of negro blood which
flowed in their veins, so faint that it was necessary to be told of it,
but it was sufficient to render a stay in America so much the more
intolerable to both, as they had inherited all the pride of their name,
a name which the Emperor mentioned at St. Helena as that of one of his
bravest officers. Florent's grandfather was no other, indeed, than the
Colonel Chapron who, as Napoleon desired information, swam the Dnieper on
horseback, followed a Cossack on the opposite shore, hunted him like a
stag, laid him across his saddle and took him back to the French camp.
When the Empire fell, that hero, who had compromised himself in an
irreparable manner in the army of the Loire, left his country and,
accompanied by a handful of his old comrades, went to found in the
southern part of the United States, in Alabama, a sort of agricultural
colony, to which they gave the name--which it still preserves--of Arcola,
a naive and melancholy tribute to the fabulous epoch which, however, had
been dear to them.
Who would have recognized the brilliant colonel, who penetrated by the
side of Montbrun the heart of the Grande Redoute, in the planter of
forty-five, busy with his cotton and his sugar-cane, who made a fortune
in a short time by dint of energy and good sense? His success, told of
in France, was the indirect cause of another emigration to Texas, led by
General Lallemand, and which terminated so disastrously. Colonel Chapron
had not, as can be believed, acquired in roaming through Europe very
scrupulous notions an the relations of the two sexes. Having made the
mother of his child a pretty and sweet-tempered mulattress whom he met on
a short trip to New Orleans, and whom he brought back to Arcola, he
became deeply attached to the charming creature and to his son, so much
the more so as, with a simple difference of complexion and of hair, the
child was the image of him. Indeed, the old warrior, who had no
relatives in his native land, on dying, left his entire fortune to that
son, whom he had christened Napoleon. While he lived, not one of his
neighbors dared to treat the young man differently from the way in which
his father treated him.
But it was not the same when the prestige of the Emperor's soldier was
not there to protect the boy against that aversion to race which is
morally a prejudice, but socially interprets an instinct of preservation
of infallible surety. The United States has grown only on that
condition.
[Those familiar with the works of Bourget will recognize here again
his well known antipathy for the United States of America. Mark
Twain in the late 1800's felt obliged to rebut some of Bourget's
prejudice: "What Paul Bourget thinks of us." D.W.]
The mixture of blood would there have dissolved the admirable Anglo-Saxon
energy which the struggle against a nature at once very rich and very
mutinous has exalted to such surprising splendor. It is not necessary to
ask those who are the victims of such an instinct to comprehend the legal
injustice. They only feel its ferocity. Napoleon Chapron, rejected in
several offers of marriage, thwarted in his plans, humiliated under
twenty trifling circumstances by the Colonel's former companions, became
a species of misanthrope. He lived, sustained by a twofold desire, on
the one hand to increase his fortune, and on the other to wed a white
woman. It was not until 1857, at the age of thirty-five, that he
realized the second of his two projects. In the course of a trip to
Europe, he became interested on the steamer in a young English governess,
who was returning from Canada, summoned home by family troubles. He met
her again in London. He helped her with such delicacy in her distress,
that he won her heart, and she consented to become his wife. From that
union were born, one year apart, Florent and Lydia.
Lydia had cost her mother her life, at the moment when the War of
Secession jeoparded the fortune of Chapron, who, fortunately for him,
had, in his desire to enrich himself quickly, invested his money a little
on all sides. He was only partly ruined, but that semi-ruin prevented
him from returning to Europe, as he had intended. He was compelled to
remain in Alabama to repair that disaster, and he succeeded, for at his
death, in 1880, his children inherited more than four hundred thousand
dollars each. The incomparable father's devotion had not limited itself
to the building up of a large fortune. He had the courage to deprive
himself of the presence of the two beings whom he adored, to spare them
the humiliation of an American school, and he sent them after their
twelfth year to England, the boy to the Jesuits of Beaumont, the girl to
the convent of the Sacred Heart, at Roehampton. After four years there,
he sent them to Paris, Florent to Vaugirard, Lydia to the Rue de Varenne,
and just at the time that he had realized the amount he considered
requisite, when he was preparing to return to live near them in a country
without prejudices, a stroke of apoplexy took him off suddenly. The
double wear of toil and care had told upon one of those organisms which
the mixture of the black and white races often produces, athletic in
appearance, but of a very keen sensibility, in which the vital resistance
is not in proportion to the muscular vigor.
Whatever care the man, so deeply grieved by the blemish upon his birth,
had taken to preserve his children from a similar experience, he had not
been able to do so, and soon after his son entered Beaumont his trials
began. The few boys with whom Florent was thrown in contact, in the
hotels or in his walks, during his sojourn in America, had already made
him feel that humiliation from which his father had suffered so much.
The youth of twelve, silent and absurdly sensitive, who made his
appearance on the lawn of the peaceful English college on an autumn
morning, brought with him a self-love already bleeding, to whom it was a
delightful surprise to find himself among comrades of his age who did not
even seem to suspect that any difference separated them from him. It
required the perception of a Yankee to discern, beneath the nails of the
handsome boy with the dark complexion, the tiny drops of negro blood, so
far removed. Between an octoroon and a creole a European can never tell
the difference. Florent had been represented as what he really was, the
grandson of one of the Emperor's best officers. His father had taken
particular pains to designate him as French, and his companions only saw
in him a pupil like themselves, coming from Alabama--that is to say, from
a country almost as chimerical as Japan or China.
All who in early youth have known the torture of apprehension will be
able to judge of the poor child's agony when, after four months of a life
amid the warmth of sympathy, one of the Jesuit fathers who directed the
college announced to him, thinking it would afford him pleasure, the
expected arrival of an American, of young Lincoln Maitland. This was
to Florent so violent a shock that he had a fever for forty-eight hours.
In after years he could remember what thoughts possessed him on the day
when he descended from his room to the common refectory, sure that as
soon as he was brought face to face with the new pupil he would have to
sustain the disdainful glance suffered so frequently in the United
States. There was no doubt in his mind that, his origin once discovered,
the atmosphere of kindness in which he moved with so much surprise would
soon be changed to hostility. He could again see himself crossing the
yard; could hear himself called by Father Roberts--the master who had
told him of the expected new arrival--and his surprise when Lincoln
Maitland had given him the hearty handshake of one demi-compatriot who
meets another. He was to learn later that that reception was quite
natural, coming from the son of an Englishman, educated altogether by his
mother, and taken from New York to Europe before his fifth year, there to
live in a circle as little American as possible. Chapron did not reason
in that manner. He had an infinitely tender heart. Gratitude entered
it--gratitude as impassioned as had been his fear. One week later
Lincoln Maitland and he were friends, and friends so intimate that they
never parted.
The affection, which was merely to the indifferent nature of Maitland a
simple college episode, became to Florent the most serious, most complete
sentiment of his life. Those fraternities of election, the loveliest and
most delicate of the heart of man, usually dawn thus in youth. It is the
ideal age of passionate friendship, that period between ten and sixteen,
when the spirit is so pure, so fresh, still so virtuous, so fertile in
generous projects for the future. One dreams of a companionship almost
mystical with the friend from whom one has no secret, whose character one
sees in such a noble light, on whose esteem one depends as upon the
surest recompense, whom one innocently desires to resemble. Indeed,
they are, between the innocent lads who work side by side on a problem
of geometry or a lesson in history, veritable poems of tenderness at
which the man will smile later, finding so far different from him in all
his tastes, him whom he desired to have for a brother. It happens,
however, in certain natures of a sensibility particularly precocious and
faithful at the same time, that the awakening of effective life is so
strong, so encroaching, that the impassioned friendship persists, first
through the other awakening, that of sensuality, so fatal to all the
senses of delicacy, then through the first tumult of social experience,
not less fatal to our ideal of youth.
That was the case with Florent Chapron, whether his character, at once
somewhat wild and yet submissive, rendered him more qualified for that
renunciation of his personality than friendship demands, whether, far
from his father and his sister and not having any mother, his loving
heart had need of attaching itself to some one who could fill the place
of his relatives, or whether Maitland exercised over him a special
prestige by his opposite qualities. Fragile and somewhat delicate, was
he seduced by the strength and dexterity which his friend exhibited in
all his exercises? Timid and naturally taciturn, was he governed by the
assurance of that athlete with the loud laugh, with the invincible
energy? Did the surprising tendency toward art which the other one
showed conquer him, as well as sympathy for the misfortunes which were
confided to him and which touched him more than they touched him who
experienced them?
Gordon Maitland, Lincoln's father, of an excellent family of New York,
had been killed at the battle of Chancellorsville, during the same war
which had ruined Florent's father in part. Mrs. Maitland, the poor
daughter of a small rector of a Presbyterian church at Newport, and who
had only married her husband for his money, had but one idea, when once a
widow--to go abroad. Whither? To Europe, vague and fascinating spot,
where she fancied she would be distinguished by her intelligence and her
beauty. She was pretty, vain and silly, and that voyage in pursuit of a
part to play in the Old World caused her to pass two years first in one
hotel and then in another, after which she married the second son of a
poor Irish peer, with the new chimera of entering that Olympus of British
aristocracy of which she had dreamed so much. She became a Catholic, and
her son with her, to obtain the result which cost her dear, for not only
was the lord who had given her his name brutal, a drunkard and cruel, but
he added to all those faults that of being one of the greatest gamblers
in the entire United Kingdom. He kept his stepson away from home, beat
his wife, and died toward 1880, after dissipating the poor creature's
fortune and almost all of Lincoln's. At that time the latter, whom his
stepfather had naturally left to develop in his own way, and who, since
leaving Beaumont, had studied painting at Venice, Rome and Paris, was in
the latter city and one of the first pupils in Bonnat's studio. Seeing
his mother ruined, without resources at forty-four years of age,
persuaded himself of his glorious future, he had one of those magnificent
impulses such as one has in youth and which prove much less the
generosity than the pride of life. Of the fifteen thousand francs of
income remaining to him, he gave up to his mother twelve thousand five
hundred. It is expedient to add that in less than a year afterward he
married the sister of his college friend and four hundred thousand
dollars. He had seen poverty and he was afraid of it. His action with
regard to his mother seemed to justify in his own eyes the purely
interested character of the combination which freed his brush forever.
There are, moreover, such artistic consciences. Maitland would not have
pardoned himself a concession of art. He considered rascals the painters
who begged success by compromise in their style, and he thought it quite
natural to take the money of Mademoiselle Chapron, whom he did not love,
and for whom, now that he had grown to manhood and knew several of her
compatriots, he likewise felt the prejudice of race. "The glory of the
colonel of the Empire and friendship for that good Florent," as he said,
"covered all."
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