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New Philadelphia Book Publisher Highlights Local Talent
Book and Publishing News from Publishers Newswire(tm)
Looking for Child to be on Cover of a New Book, 'The Model Child'
PHILADELPHIA, Pa. -- The Philadelphia literary world will celebrate the launch of two new players today, April 10th: Kay Square Press, a new publishing company focused on Philadelphia-area artists, their stories, and their art; and Kay Square's first release, 'With the Rich and Mighty: Emlen Etting of Philadelphia' (ISBN: 978-0-9815129-0-7), a critical biography by Kenneth C. Kaleta.
FlatSigned Press Alleges Don Imus Remarks Damage Legacy of President Gerald R. Ford
NEW YORK, N.Y. -- Nathan Yungerberg, an accomplished model scout and professional child photographer is launching a nation-wide casting call to find the cover model for his highly anticipated book release, 'The Model Child: A Parents Guide to the Child Modeling Industry' (ISBN: 978-0-9817018-0-6).
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Books: Prince Zilah, v3
J >> Jules Claretie >> Prince Zilah, v3 Pages: 1 | 2 | 3 | 4 | 5 | 6 | 7 This etext was produced by David Widger
[NOTE: There is a short list of bookmarks, or pointers, at the end of the
file for those who may wish to sample the author's ideas before making an
entire meal of them. D.W.]
PRINCE ZILAH
By JULES CLARETIE
BOOK 3.
CHAPTER XXIV
A LITTLE PARISIAN ROMANCE
The very evening of the day when the package of letters had killed in
Andras all happiness and all faith, the Hungarian prince presented
himself in the Rue d'Aumale, to seek Michel Menko.
Menko! That boy whom he had loved almost as a brother, that man for whom
he had hoped a glorious future, Michel, Michel Menko, had betrayed him,
and struck him with the perfidy of a coward. Yes, at the door of the
church, when it was too late, or rather, at a time when the blow would be
surer and the wound more deadly--then Menko had said to him: "My dear
Prince, the woman whom you love, the woman whom you have married, has
been my mistress. Here, read, see how she loved me!"
Had Michel been before him, Andras would have seized the young man by the
throat, and strangled him on the spot; but, when he reached the Rue
d'Aumale, he did not find Menko.
"The Count left town yesterday," said the servant, in answer to his
question.
"Yesterday! Where has he gone?"
"The Count must have taken the steamer to-day at Havre for New York.
The Count did not tell us exactly where he was going, however, but to
America, somewhere. We only know, the coachman Pierre, and myself, that
the Count will not return again to Paris. We are still in his service,
however, and are to await his orders."
Hesitating a little, the servant added:
"Have I not the honor to speak to Prince Zilah?"
"Why?" asked Andras.
The valet replied with a humble but very sincere air:
"Because, if Monseigneur should hear from the Count, and there is any
question of the package which I took to Maisons-Lafitte this morning for
Monseigneur--"
"Well?" said Andras.
"Monseigneur would greatly oblige me if he would not let the Count know
that I did not fulfil his orders last evening."
"Last evening? What do you mean? Explain yourself!" said the Prince,
sternly.
"When he left yesterday, the Count expressly ordered me to take the
package to Monseigneur that very evening. I beg Monseigneur's pardon;
but I had an invitation to a wedding, and I did not carry out the Count's
instructions until this morning. But, as Monseigneur was not at home,
I took the train to Maisons-Lafitte. I hope that I did not arrive too
late. The Count was very particular about it, and I should be very sorry
if my negligence has done any harm."
Andras listened, gazing intently upon the face of the servant, who was a
little discountenanced by this silent inquisition.
"So Count Menko wished the package to be delivered to me yesterday?"
"I beg Monseigneur not to tell the Count that he was not obeyed."
"Yesterday?" repeated Andras.
"Yes, yesterday, Monseigneur. The Count departed, thinking it would be
done; and, indeed, he had a right to think so. I am very careful,
Monseigneur, very careful; and if Monseigneur should some day have need
of a--"
The Prince stopped the valet with a gesture. It was repugnant to Andras
to have this man mixed up in a secret of his life; and such a secret!
But the domestic was evidently ignorant what a commission Menko had
confided to him: in his eyes, the package, containing such letters, was
like any other package. Andras was persuaded of this by the attitude of
the man, humiliated at having failed in his duty.
A word more exchanged with the valet, and Andras would have felt
humiliated himself. But he had gained from the conversation the idea
that Menko had not wished to insult him in his happiness, but to reveal
all to him before the ceremony had yet been celebrated. It was as
atrocious, but not so cowardly. Menko had wished to attack Marsa, rather
than Andras; this was visible in the express commands given to his valet.
And upon what a trifle had it depended, whether the name of Zilah should
be borne by this woman! Upon what? Upon a servant's feast! Life is
full of strange chances. The hands of that low-born valet had held for
hours his happiness and his honor--his honor, Andras Zilah's--the honor
of all his race!
The Prince returned to his hotel, which he had left that morning thinking
that he would soon bring there the woman he then adored, but whom he now
despised and hated. Oh! he would know where Menko had gone; him he could
punish; as for Marsa, she was now dead to him.
But where, in the whirlpool of the New World, would this Michel Menko
disappear? and how could he find him?
The days passed; and Zilah had acquired almost the certainty that Menko
had not embarked at Havre. Perhaps he had not quitted Europe. He might,
some day or another, in spite of what the valet had said, reappear in
Paris; and then--
Meanwhile, the Prince led the life of a man wounded to the heart; seeking
solitude, and shutting himself in his hotel, in the Rue Balzac, like a
wolf in his den; receiving no one but Varhely, and sometimes treating
even old Yanski coldly; then, suddenly emerging from his retirement,
and trying to take up his life again; appearing at the meetings of the
Hungarian aid society, of which he was president; showing himself at the
races, at the theatre, or even at Baroness Dinati's; longing to break the
dull monotony of his now ruined life; and, with a sort of bravado,
looking society and opinion full in the face, as if to surprise a smile
or a sneer at his expense, and punish it.
He had, however, no right to complain of the sentiment which was felt
for him, for every one respected and admired him. At first, it is true,
society, and in particular that society of Parisian foreigners in which
Prince Andras mingled, had tried to find out why he had broken so
suddenly with the woman he had certainly married for love. Public
curiosity, aroused and excited, had sought to divine the secret of the
romance. "If it does not get into the newspapers," they said, "it will
be fortunate." And society was even astonished that the journals had not
already discovered the key to this Parisian mystery.
But society, after all as fickle as it is curious (one of its little
vices chasing away the other), turned suddenly to another subject; forgot
the rupture of Marsa and Andras, and saw in Zilah only a superior being,
whose lofty soul forced respect from the frivolous set accustomed to
laugh at everything.
A lofty soul, yes, but a soul in torment. Varhely alone, among them all,
knew anything of the suffering which Andras endured. He was no longer
the same man. His handsome face, with its kindly eyes and grave smile,
was now constantly overshadowed. He spoke less, and thought more.
On the subject of his sadness and his grief, Andras never uttered a word
to any one, not even to his old friend; and Yanski, silent from the day
when he had been an unconscious messenger of ill, had not once made any
allusion to the past.
Although he knew nothing, Varhely had, nevertheless, guessed everything,
and at once. The blow was too direct and too cruelly simple for the old
Hungarian not to have immediately exclaimed, with rage:
"Those were love-letters, and I gave them to him! Idiot that I was! I
held those letters in my hand; I might have destroyed them, or crammed
them one by one down Menko's throat! But who could have suspected such
an infamy? Menko! A man of honor! Ah, yes; what does honor amount to
when there is a woman in question? Imbecile! And it is irreparable now,
irreparable!"
Varhely also was anxious to know where Menko had gone. They did not know
at the Austro-Hungarian embassy. It was a complete disappearance,
perhaps a suicide. If the old Hungarian had met the young man, he would
at least have gotten rid of part of his bile. But the angry thought that
he, Varhely, had been associated in a vile revenge which had touched
Andras, was, for the old soldier, a constant cause for ill-humor with
himself, and a thing which, in a measure, poisoned his life.
Varhely had long been a misanthrope himself; but he tried to struggle
against his own temperament when he saw Andras wrapping himself up in
bitterness and gloomy thoughts.
Little by little, Zilah allowed himself to sink into that state where not
only everything becomes indifferent to us, but where we long for another
suffering, further pain, that we may utter more bitter cries, more
irritated complaints against fate. It seems then that everything is dark
about us, and our endless night is traversed by morbid visions, and
peopled with phantoms. The sick man--for the one who suffers such
torture is sick--would willingly seek a new sorrow, like those wounded
men who, seized with frenzy, open their wounds themselves, and irritate
them with the point of a knife. Then, misanthropy and disgust of life
assume a phase in which pain is not without a certain charm. There is a
species of voluptuousness in this appetite for suffering, and the
sufferer becomes, as it were, enamored of his own agony.
With Zilah, this sad state was due to a sort of insurrection of his
loyalty against the many infamies to be met with in this world, which he
had believed to be only too full of virtues.
He now considered himself an idiot, a fool, for having all his life
adored chimeras, and followed, as children do passing music, the fanfares
of poetic chivalry. Yes, faith, enthusiasm, love, were so many cheats,
so many lies. All beings who, like himself, were worshippers of the
ideal, all dreamers of better things, all lovers of love, were inevitably
doomed to deception, treason, and the stupid ironies of fate. And, full
of anger against himself, his pessimism of to-day sneering at his
confidence of yesterday, he abandoned himself with delight to his
bitterness, and he took keen joy in repeating to himself that the secret
of happiness in this life was to believe in nothing except treachery, and
to defend oneself against men as against wolves.
Very rarely, his real frank, true nature would come to the fore, and he
would say:
"After all, are the cowardice of one man, and the lie of one woman, to be
considered the crime of entire humanity?"
Why should he curse, he would think, other beings than Marsa and Menko?
He had no right to hate any one else; he had no enemy that he knew of,
and he was honored in Paris, his new country.
No enemy? No, not one. And yet, one morning, with his letters, his
valet brought him a journal addressed to "Prince Zilah," and, on
unfolding it, Andras's attention was attracted to two paragraphs in the
column headed "Echoes of Paris," which were marked with a red-lead
pencil.
It was a number of 'L'Actualite', sent through the post by an unknown
hand, and the red marks were evidently intended to point out to the
Prince something of interest to himself.
Andras received few journals. A sudden desire seized him, as if he had a
presentiment of what it contained, to cast this one into the fire without
reading it. For a moment he held it in his fingers ready to throw it
into the grate. Then a few words read by accident invincibly prevented
him.
He read, at first with poignant sorrow, and then with a dull rage, the
two paragraphs, one of which followed the other in the paper.
"A sad piece of news has come to our ears," ran the first paragraph, "a
piece of news which has afflicted all the foreign colony of Paris, and
especially the Hungarians. The lovely and charming Princess Z., whose
beauty was recently crowned with a glorious coronet, has been taken,
after a consultation of the princes of science (there are princes in all
grades), to the establishment of Dr. Sims, at Vaugirard, the rival of the
celebrated asylum of Dr. Luys, at Ivry. Together with the numerous
friends of Prince A. Z., we hope that the sudden malady of the Princess
Z. will be of short duration."
So Marsa was now the patient, almost the prisoner, of Dr. Sims! The
orders of Dr. Fargeas had been executed. She was in an insane asylum,
and Andras, despite himself, felt filled with pity as he thought of it.
But the red mark surrounded both this first "Echo of Paris," and the one
which followed it; and Zilah, impelled now by eager curiosity, proceeded
with his reading.
But he uttered a cry of rage when he saw, printed at full length, given
over to common curiosity, to the eagerness of the public for scandal, and
to the malignity of blockheads, a direct allusion to his marriage--worse
than that, the very history of his marriage placed in an outrageous
manner next to the paragraph in which his name was almost openly written.
The editor of the society journal passed directly from the information in
regard to the illness of Princess Z. to an allegorical tale in which
Andras saw the secret of his life and the wounds of his heart laid bare.
A LITTLE PARISIAN ROMANCE
Like most of the Parisian romances of to-day, the little romance in
question is an exotic one. Paris belongs to foreigners. When the
Parisians, whose names appear in the chronicles of fashion, are not
Americans, Russians, Roumanians, Portuguese, English, Chinese, or
Hungarians, they do not count; they are no longer Parisians. The
Parisians of the day are Parisians of the Prater, of the Newski
Perspective or of Fifth Avenue; they are no longer pureblooded
Parisians. Within ten years from now the boulevards will be
situated in Chicago, and one will go to pass his evenings at the
Eden Theatre of Pekin. So, this is the latest Parisian romance:
Once upon a time there was in Paris a great lord, a Moldavian, or a
Wallachian, or a Moldo-Wallachian (in a word, a Parisian--a Parisian
of the Danube, if you like), who fell in love with a young Greek,
or Turk, or Armenian (also of Paris), as dark-browed as the night,
as beautiful as the day. The great lord was of a certain age, that
is, an uncertain age. The beautiful Athenian or Georgian, or
Circassian, was young. The great lord was generally considered to
be imprudent. But what is to be done when one loves? Marry or
don't marry, says Rabelais or Moliere. Perhaps they both said it.
Well, at all events, the great lord married. It appears, if well-
informed people are to be believed, that the great Wallachian lord
and the beautiful Georgian did not pass two hours after their
marriage beneath the same roof. The very day of their wedding,
quietly, and without scandal, they separated, and the reason of this
rupture has for a long time puzzled Parisian high-life. It was
remarked, however, that the separation of the newly-married pair was
coincident with the disappearance of a very fashionable attache who,
some years ago, was often seen riding in the Bois, and who was then
considered to be the most graceful waltzer of the Viennese, or
Muscovite, or Castilian colony of Paris. We might, if we were
indiscreet, construct a whole drama with these three people for our
dramatis personae,; but we wish to prove that reporters (different
in this from women) sometimes know how to keep a secret. For those
ladies who are, perhaps, still interested in the silky moustaches of
the fugitive ex-diplomat, we can add, however, that he was seen at
Brussels a short time ago. He passed through there like a shooting
star. Some one who saw him noticed that he was rather pale, and
that he seemed to be still suffering from the wounds received not
long ago. As for the beautiful Georgian, they say she is in despair
at the departure of her husband, the great Wallachian lord, who, in
spite of his ill-luck, is really a Prince Charming.
Andras Zilah turned rapidly to the signature of this article. The
"Echoes of Paris" were signed Puck. Puck? Who was this Puck? How could
an unknown, an anonymous writer, a retailer of scandals, be possessed of
his secret? For Andras believed that his suffering was a secret; he had
never had an idea that any one could expose it to the curiosity of the
crowd, as this editor of L'Actualite had done. He felt an increased rage
against the invisible Michel Menko, who had disappeared after his infamy;
and it seemed to him that this Puck, this unknown journalist, was an
accomplice or a friend of Michel Menko, and that, behind the pseudonym of
the writer, he perceived the handsome face, twisted moustache and haughty
smile of the young Count.
"After all," he said to himself, "we shall soon find out. Monsieur Puck
must be less difficult to unearth than Michel Menko."
He rang for his valet, and was about to go out, when Yanski Varhely was
announced.
The old Hungarian looked troubled, and his brows were contracted in a
frown. He could not repress a movement of anger when he perceived, upon
the Prince's table, the marked number of L'Actualite.
Varhely, when he had an afternoon to get rid of, usually went to the
Palais-Royal. He had lived for twenty years not far from there, in a
little apartment near Saint-Roch. Drinking in the fresh air, under the
striped awning of the Cafe de la Rotunde, he read the journals, one after
the other, or watched the sparrows fly about and peck up the grains in
the sand. Children ran here and there, playing at ball; and, above the
noise of the promenaders, arose the music of the brass band.
It was chiefly the political news he sought for in the French or foreign
journals. He ran through them all with his nose in the sheets, which he
held straight out by the wooden file, like a flag. With a rapid glance,
he fell straight upon the Hungarian names which interested him--Deak
sometimes, sometimes Andrassy; and from a German paper he passed to an
English, Spanish, or Italian one, making, as he said, a tour of Europe,
acquainted as he was with almost all European languages.
An hour before he appeared at the Prince's house, he was seated in the
shade of the trees, scanning 'L'Actualite', when he suddenly uttered an
oath of anger (an Hungarian 'teremtete!') as he came across the two
paragraphs alluding to Prince Andras.
Varhely read the lines over twice, to convince himself that he was not
mistaken, and that it was Prince Zilah who was designated with the
skilfully veiled innuendo of an expert journalist. There was no chance
for doubt; the indistinct nationality of the great lord spoken of thinly
veiled the Magyar characteristics of Andras, and the paragraph which
preceded the "Little Parisian Romance" was very skilfully arranged to let
the public guess the name of the hero of the adventure, while giving to
the anecdote related the piquancy of the anonymous, that velvet mask of
scandal-mongers.
Then Varhely had only one idea.
"Andras must not know of this article. He scarcely ever reads the
journals; but some one may have sent this paper to him."
And the old misanthrope hurried to the Prince's hotel, thinking this:
that there always exist people ready to forward paragraphs of this kind.
When he perceived 'L'Actualite' upon the Prince's table, he saw that his
surmise was only too correct, and he was furious with himself for
arriving too late.
"Where are you going?" he asked Andras, who was putting on his gloves.
The Prince took up the marked paper, folded it slowly, and replied:
"I am going out."
"Have you read that paper?"
"The marked part of it, yes."
"You know that that sheet is never read, it has no circulation whatever,
it lives from its advertisements. There is no use in taking any notice
of it."
"If there were question only of myself, I should not take any notice of
it. But they have mixed up in this scandal the name of the woman to whom
I have given my name. I wish to know who did it, and why he did it."
"Oh! for nothing, for fun! Because this Monsieur--how does he sign
himself?--Puck had nothing else to write about."
"It is certainly absurd," remarked Zilah, "to imagine that a man can live
in the ideal. At every step the reality splashes you with mud."
As he spoke, he moved toward the door.
"Where are you going?" asked Varhely again.
"To the office of this journal."
"Do not commit such an imprudence. The article, which has made no stir
as yet, will be read and talked of by all Paris if you take any notice of
it, and it will be immediately commented upon by the correspondents of
the Austrian and Hungarian journals."
"That matters little to me!" said the Prince, resolutely. "Those people
will only do what their trade obliges them to. But, before everything,
I am resolved to do my duty. That is my part in this matter."
"Then I will accompany you."
"No," replied Andras, "I ask you not to do that; but it is probable that
to-morrow I shall request you to serve as my second."
"A duel?"
"Exactly."
"With Monsieur--Puck?"
"With whoever insults me. The name is perfectly immaterial. But since
he escapes me and she is irresponsible--and punished--I regard as an
accomplice of their infamy any man who makes allusion to it with either
tongue or pen. And, my dear Varhely, I wish to act alone. Don't be
angry; I know that in your hands my honor would be as faithfully guarded
as in my own."
"Without any doubt," said Varhely, in an odd tone, pulling his rough
moustache, "and I hope to prove it to you some day."
CHAPTER XXV
THE HOME OF "PUCK"
Prince Zilah did not observe at all the marked significance old Yanski
gave to this last speech. He shook Varhely's hand, entered a cab, and,
casting a glance at the journal in his hands, he ordered the coachman to
drive to the office of 'L'Actualite', Rue Halevy, near the Opera.
The society journal, whose aim was represented by its title, had its
quarters on the third floor in that semi-English section where bars,
excursion agencies, steamboat offices, and manufacturers of travelling-
bags give to the streets a sort of Britannic aspect. The office of
'L'Actualite' had only recently been established there. Prince Zilch
read the number of the room upon a brass sign and went up.
In the outer office there were only two or three clerks at work behind
the grating. None of these had the right to reveal the names hidden
under pseudonyms; they did not even know them. Zilch perceived, through
an open door, the reporters' room, furnished with a long table covered
with pens, ink, and pads of white paper. This room was empty; the
journal was made up in the evening, and the reporters were absent.
"Is there any one who can answer me?" asked the Prince.
"Probably the secretary can," replied a clerk. "Have you a card,
Monsieur? or, if you will write your name upon a bit of paper, it will
do."
Andras did so; the clerk opened a door in the corridor and disappeared.
After a minute or two he reappeared, and said to the Prince:
"If you will follow me, Monsieur Freminwill see you."
Andras found himself in the presence of a pleasant-looking middle-aged
man, who was writing at a modest desk when the Hungarian entered, and who
bowed politely, motioning him to be seated.
As Zilch sat down upon the sofa, there appeared upon the threshold of a
door, opposite the one by which he had entered, a small, dark, elegantly
dressed young man, whom Andras vaguely remembered to have seen somewhere,
he could not tell where. The newcomer was irreproachable in his
appearance, with his clothes built in the latest fashion, snowy linen,
pale gray gloves, silver-headed cane, and a single eyeglass, dangling
from a silken cord.
He bowed to Zilch, and, going up to the secretary, he said, rapidly:
"Well! since Tourillon is away, I will report the Enghien races. I am
going there now. Enghien isn't highly diverting, though. The swells and
the pretty women so rarely go there; they don't affect Enghien any more.
But duty before everything, eh, Fremin?"
"You will have to hurry," said Fremin, looking at his watch, "or you will
miss your train."
"Oh! I have a carriage below."
He clapped his confrere on the shoulder, bowed again to Zilah, and
hurried away, while Fremin, turning to the Prince, said:
"I am at your service, Monsieur," and waited for him to open the
conversation.
Zilah drew from his pocket the copy of L'Actualite, and said, very
quietly:
"I should like to know, Monsieur, who is meant in this article here."
And, folding the paper, with the passage which concerned him uppermost,
he handed it to the secretary.
Fremin glanced at the article.
"Yes, I have seen this paragraph," he said; "but I am entirely ignorant
to whom it alludes. I am not even certain that it is not a fabrication,
invented out of whole cloth."
"Ah!" said Zilah. "The author of the article would know, I suppose?"
"It is highly probable," replied Fremin, with a smile.
"Will you tell me, then, the name of the person who wrote this?"
"Isn't the article signed?"
"It is signed Puck. That is not a name."
"A pseudonym is a name in literature," said Fremin. "I am of the
opinion, however, that one has always the right to demand to see a face
which is covered by a mask. But the person who makes this demand should
be personally interested. Does this story, to which you have called my
attention, concern you, Monsieur?"
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