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Looking for Child to be on Cover of a New Book, 'The Model Child'
PHILADELPHIA, Pa. -- The Philadelphia literary world will celebrate the launch of two new players today, April 10th: Kay Square Press, a new publishing company focused on Philadelphia-area artists, their stories, and their art; and Kay Square's first release, 'With the Rich and Mighty: Emlen Etting of Philadelphia' (ISBN: 978-0-9815129-0-7), a critical biography by Kenneth C. Kaleta.

FlatSigned Press Alleges Don Imus Remarks Damage Legacy of President Gerald R. Ford
NEW YORK, N.Y. -- Nathan Yungerberg, an accomplished model scout and professional child photographer is launching a nation-wide casting call to find the cover model for his highly anticipated book release, 'The Model Child: A Parents Guide to the Child Modeling Industry' (ISBN: 978-0-9817018-0-6).


Books: Life and Remains of John Clare

J >> J. L. Cherry >> Life and Remains of John Clare

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Where the gnat swarms fall and rise under evenings' mellow skies,
And on flags sleep dragon flies, bonny Mary O!
And I will meet thee there, bonny Mary O!
When a-milking you repair, bonny Mary O!
And I'll kiss thee on the grass, my buxom, bonny lass,
And be thine own for aye, bonny Mary O!




LOVE'S EMBLEM

Go rose, my Chloe's bosom grace:
How happy should I prove,
Could I supply that envied place
With never-fading love.

Accept, dear maid, now Summer glows,
This pure, unsullied gem,
Love's emblem in a full-blown rose,
Just broken from the stem.

Accept it as a favourite flower
For thy soft breast to wear;
'Twill blossom there its transient hour,
A favourite of the fair.

Upon thy cheek its blossom glows,
As from a mirror clear,
Making thyself a living rose,
In blossom all the year.

It is a sweet and favourite flower
To grace a maiden's brow,
Emblem of love without its power--
A sweeter rose art thou.

The rose, like hues of insect wing,
May perish in an hour;
'T is but at best a fading thing,
But thou'rt a living flower.

The roses steeped in morning dews
Would every eye enthrall,
But woman, she alone subdues;
Her beauty conquers all.




THE MORNING WALK

The linnet sat upon its nest,
By gales of morning softly prest,
His green wing and his greener breast
Were damp with dews of morning:
The dog-rose near the oaktree grew,
Blush'd swelling 'neath a veil of dew,
A pink's nest to its prickles grew,
Right early in the morning.

The sunshine glittered gold, the while
A country maiden clomb the stile;
Her straw hat couldn't hide the smile
That blushed like early morning.
The lark, with feathers all wet through,
Looked up above the glassy dew,
And to the neighbouring corn-field flew,
Fanning the gales of morning.

In every bush was heard a song,
On each grass blade, the whole way long,
A silver shining drop there hung,
The milky dew of morning.
Where stepping-stones stride o'er the brook
The rosy maid I overtook.
How ruddy was her healthy look,
So early in the morning!

I took her by the well-turned arm,
And led her over field and farm,
And kissed her tender cheek so warm,
A rose in early morning.
The spiders' lacework shone like glass,
Tied up to flowers and cat-tail grass;
The dew-drops bounced before the lass,
Sprinkling the early morning.

Her dark curls fanned among the gales,
The skylark whistled o'er the vales,
I told her love's delightful tales
Among the dews of morning.
She crop't a flower, shook oft' the dew,
And on her breast the wild rose grew;
She blushed as fair, as lovely, too--
The living rose of morning.




TO MISS C.....

Thy glance is the brightest,
Thy voice is the sweetest,
Thy step is the lightest,
Thy shape the completest:
Thy waist I could span, dear,
Thy neck's like a swan's, dear,
And roses the sweetest
On thy cheeks do appear.

The music of Spring
Is the voice of my charmer.
When the nightingales sing
She's as sweet; who would harm her?
Where the snowdrop or lily lies
They show her face, but her eyes
Are the dark clouds, yet warmer,
From which the quick lightning flies
O'er the face of my charmer.

Her faith is the snowdrop,
So pure on its stem;
And love in her bosom
She wears as a gem;
She is young as Spring flowers,
And sweet as May showers,
Swelling the clover buds, and bending the stem,
She's the sweetest of blossoms, she love's favourite gem.




I PLUCK SUMMER BLOSSOMS

I pluck Summer blossoms,
And think of rich bosoms--
The bosoms I've leaned on, and worshipped, and won.
The rich valley lilies,
The wood daffodillies,
Have been found in our rambles when Summer begun.

Where I plucked thee the bluebell,
'T was where the night dew fell,
And rested till morn in the cups of the flowers;
I shook the sweet posies,
Bluebells and brere roses,
As we sat in cool shade in Summer's warm hours.

Bedlam-cowslips and cuckoos,
With freck'd lip and hooked nose,
Growing safe near the hazel of thicket and woods,
And water blobs, ladies' smocks,
Blooming where haycocks
May be found, in the meadows, low places, and floods.

And cowslips a fair band
For May ball or garland,
That bloom in the meadows as seen by the eye;
And pink ragged robin,
Where the fish they are bobbing
Their heads above water to catch at the fly.

Wild flowers and wild roses!
'T is love makes the posies
To paint Summer ballads of meadow and glen.
Floods can't drown it nor turn it,
Even flames cannot burn it;
Let it bloom till we walk the green meadows again.




THE MARCH NOSEGAY

The bonny March morning is beaming
In mingled crimson and grey,
White clouds are streaking and creaming
The sky till the noon of the day;
The fir deal looks darker and greener,
And grass hills below look the same;
The air all about is serener,
The birds less familiar and tame.

Here's two or three flowers for my fair one,
Wood primroses and celandine too;
I oft look about for a rare one
To put in a posy for you.
The birds look so clean and so neat,
Though there's scarcely a leaf on the grove;
The sun shines about me so sweet,
I cannot help thinking of love.

So where the blue violets are peeping,
By the warm sunny sides of the woods,
And the primrose, 'neath early morn weeping,
Amid a large cluster of buds,
(The morning it was such a rare one,
So dewy, so sunny, and fair,)
I sought the wild flowers for my fair one,
To wreath in her glossy black hair.




LEFT ALONE

Left in the world alone,
Where nothing seems my own,
And everything is weariness to me,
'T is a life without an end,
'T is a world without a friend,
And everything is sorrowful I see.

There's the crow upon the stack,
And other birds all black,
While bleak November's frowning wearily;
And the black cloud's dropping rain,
Till the floods hide half the plain,
And everything is dreariness to me.

The sun shines wan and pale,
Chill blows the northern gale,
And odd leaves shake and quiver on the tree,
While I am left alone,
Chilled as a mossy stone,
And all the world is frowning over me.




TO MARY

Mary, I love to sing
About the flowers of Spring,
For they resemble thee.
In the earliest of the year
Thy beauties will appear,
And youthful modesty.

Here's the daisy's silver rim,
With gold eye never dim,
Spring's earliest flower so fair.
Here the pilewort's golden rays
Set the cow green in a blaze,
Like the sunshine in thy hair.

Here's forget-me-not so blue;
Is there any flower so true?
Can it speak my happy lot?
When we courted in disguise
This flower I used to prize,
For it said "Forget-me-not."

Speedwell! And when we meet
In the meadow paths so sweet,
Where the flowers I gave to thee
All grew beneath the sun,
May thy gentle heart be won,
And I be blest with thee.




THE NIGHTINGALE

This is the month the nightingale, clod brown,
Is heard among the woodland shady boughs:
This is the time when in the vale, grass-grown,
The maiden hears at eve her lover's vows,
What time the blue mist round the patient cows
Dim rises from the grass and half conceals
Their dappled hides. I hear the nightingale,
That from the little blackthorn spinney steals
To the old hazel hedge that skirts the vale,
And still unseen sings sweet. The ploughman feels
The thrilling music as he goes along,
And imitates and listens; while the fields
Lose all their paths in dusk to lead him wrong,
Still sings the nightingale her soft melodious song.




THE DYING CHILD

He could not die when trees were green,
For he loved the time too well.
His little hands, when flowers were seen,
Were held for the bluebell,
As he was carried o'er the green.

His eye glanced at the white-nosed bee;
He knew those children of the Spring:
When he was well and on the lea
He held one in his hands to sing,
Which filled his heart with glee.

Infants, the children of the Spring!
How can an infant die
When butterflies are on the wing,
Green grass, and such a sky?
How can they die at Spring?

He held his hands for daisies white,
And then for violets blue,
And took them all to bed at night
That in the green fields grew,
As childhood's sweet delight.

And then he shut his little eyes,
And flowers would notice not;
Bird's nests and eggs caused no surprise,
He now no blossoms got:
They met with plaintive sighs.

When Winter came and blasts did sigh,
And bare were plain and tree,
As he for ease in bed did lie
His soul seemed with the free,
He died so quietly.




MARY

The skylark mounts up with the morn,
The valleys are green with the Spring,
The linnets sit in the whitethorn,
To build mossy dwellings and sing;
I see the thornbush getting green,
I see the woods dance in the Spring,
But Mary can never be seen,
Though the all-cheering Spring doth begin.

I see the grey bark of the oak
Look bright through the underwood now;
To the plough plodding horses they yoke,
But Mary is not with her cow.
The birds almost whistle her name:
Say, where can my Mary be gone?
The Spring brightly shines, and 'tis shame
That she should be absent alone.

The cowslips are out on the grass,
Increasing like crowds at a fair;
The river runs smoothly as glass,
And the barges float heavily there;
The milkmaid she sings to her cow,
But Mary is not to be seen;
Can Nature such absence allow
At milking on pasture and green?

When Sabbath-day comes to the green,
The maidens are there in their best,
But Mary is not to be seen,
Though I walk till the sun's in the west.
I fancy still each wood and plain,
Where I and my Mary have strayed,
When I was a young country swain,
And she was the happiest maid.

But woods they are all lonely now,
And the wild flowers blow all unseen;
The birds sing alone on the bough,
Where Mary and I once have been.
But for months she now keeps away.
And I am a sad lonely hind;
Trees tell me so day after day,
As slowly they wave in the wind.

Birds tell me, while swaying the bough,
That I am all threadbare and old;
The very sun looks on me now
As one dead, forgotten, and cold.
Once I'd a place where I could rest.
And love, for then I was free;
That place was my Mary's dear breast
And hope was still left unto me.

The Spring comes brighter day by day,
And brighter flowers appear,
And though she long has kept away
Her name is ever dear.
Then leave me still the meadow flowers,
Where daffies blaze and shine;
Give but the Spring's young hawthorn bower,
For then sweet Mary's mine.




CLOCK-A-CLAY

In the cowslip pips I lie,
Hidden from the buzzing fly,
While green grass beneath me lies,
Pearled with dew like fishes' eyes,
Here I lie, a clock-a-clay.
Waiting for the time o' day.

While the forest quakes surprise,
And the wild wind sobs and sighs,
My home rocks as like to fall,
On its pillar green and tall;
When the pattering rain drives by
Clock-a-clay keeps warm and dry.

Day by day and night by night,
All the week I hide from sight;
In the cowslip pips I lie,
In the rain still warm and dry;
Day and night, and night and day,
Red, black-spotted clock-a-clay.

My home shakes in wind and showers,
Pale green pillar topped with flowers,
Bending at the wild wind's breath,
Till I touch the grass beneath;
Here I live, lone clock-a-clay,
Watching for the time of day.




SPRING

Come, gentle Spring, and show thy varied greens
In woods, and fields, and meadows, by clear brooks;
Come, gentle Spring, and bring thy sweetest scenes,
Where peace, with solitude, the loveliest looks;
Where the blue unclouded sky
Spreads the sweetest canopy,
And Study wiser grows without her books.

Come hither, gentle May, and with thee bring
Flowers of all colours, and the wild briar rose;
Come in wind-floating drapery, and bring
Fragrance and bloom, that Nature's love bestows--
Meadow pinks and columbines,
Kecksies white and eglantines,
And music of the bee that seeks the rose.

Come, gentle Spring, and bring thy choicest looks,
Thy bosom graced with flowers, thy face with smiles;
Come, gentle Spring, and trace thy wandering brooks,
Through meadow gates, o'er footpath crooked stiles;
Come in thy proud and best array,
April dews and flowers of May,
And singing birds that come where heaven smiles.




EVENING

In the meadow's silk grasses we see the black snail,
Creeping out at the close of the eve, sipping dew,
While even's one star glitters over the vale,
Like a lamp hung outside of that temple of blue.
I walk with my true love adown the green vale,
The light feathered grasses keep tapping her shoe;
In the whitethorn the nightingale sings her sweet tale,
And the blades of the grasses are sprinkled with dew.

If she stumbles I catch her and cling to her neck,
As the meadow-sweet kisses the blush of the rose:
Her whisper none hears, and the kisses I take
The mild voice of even will never disclose.
Her hair hung in ringlets adown her sweet cheek,
That blushed like the rose in the hedge hung with dew;
Her whisper was fragrance, her face was so meek--
The dove was the type on't that from the bush flew.




THE SWALLOW

Swift goes the sooty swallow o'er the heath,
Swifter than skims the cloud-rack of the skies;
As swiftly flies its shadow underneath,
And on his wing the twittering sunbeam lies,
As bright as water glitters in the eyes
Of those it passes; 'tis a pretty thing,
The ornament of meadows and clear skies:
With dingy breast and narrow pointed wing,
Its daily twittering is a song to Spring.




JOCKEY AND JENNY

"Will Jockey come to-day, mither?
Will Jockey come to-day?
He's taen sic likings to my brither
He's sure to come the day."
"Haud yer tongue, lass, mind your rockie;
But th'other day ye wore a pockie.
What can ye mean to think o' Jockey?
Ye've bin content the season long,
Ye'd best keep to your harmless song."

"Ye'll soon see falling tears, mither,
If love's a sin in youth;
He leuks to me, and talks wi' brither,
But I know the secret truth.
He's courted me the year, mither;
Judge not the matter queer, mither;
Ye're a' the while as dear, mither,
As ye've been the Summer long.
I cannot sing my song.

I'll hear nae farder preaching, mither;
I'se bin a child ower lang;
He led me frae the teaching, mither,
Ann wherefore did he wrang?
I ken he often tauks wi' brither;
I neither look at ane or 'tither;
You ken as well as I, mither,
There's nae love in my song,
Though I've sang the Summer long."

"Nae, dinna be sae saucy, lassie,
I may be kenned ye ill.
If love has taen the hold, lassie,
There's nae cure i' the pill."
"Nae, I dinna want a pill, mither;
He leuks at me and tauks to ither;
And twice we've bin at kirk thegither.
I'm 's well now as a' Summer long,
But somehew cauna sing a song.

He comes and talks to brither, mither,
But leuks his thoughts at me;
He always says gude neet to brither,
And looks gude neet to me."
"Lassie, ye seldom vexed yer mither;
Ye're ower too fair a flower to wither;
So be ye are to come thegither,
I'll be nae damp to yer new claes;
Cheer up and sing o'er 'Loggan braes.'"

Jockey comes o' Sabbath days,
His face is not a face o'er brassy;
Her mither sits to praise the claes;
Holds him her box; to win the lassie
He taks a pinch, and greets wi' granny,
And helps his chair up nearer Jenny,
And vows he loves her muir than any.
She thinks her mither seldom wrong,
And "Loggan braes" is her daily song.




THE FACE I LOVE SO DEARLY

Sweet is the violet, th' scented pea,
Haunted by red-legged, sable bee,
But sweeter far than all to me
Is she I love so dearly;
Than perfumed pea and sable bee,
The face I love so dearly.

Sweeter than hedgerow violets blue,
Than apple blossoms' streaky hue,
Or black-eyed bean-flower blebbed with dew
Is she I love so dearly;
Than apple flowers or violets blue
Is she I love so dearly.

Than woodbine upon branches thin,
The clover flower, all sweets within,
Which pensive bees do gather in,
Three times as sweet, or nearly,
Is the cheek, the eye, the lip, the chin
Of her I love so dearly.




THE BEANFIELD

A beanfield full in blossom smells as sweet
As Araby, or groves of orange flowers;
Black-eyed and white, and feathered to one's feet,
How sweet they smell in morning's dewy hours!
When seething night is left upon the flowers,
And when morn's sun shines brightly o'er the field,
The bean bloom glitters in the gems of showers,
And sweet the fragrance which the union yields
To battered footpaths crossing o'er the fields.




WHERE SHE TOLD HER LOVE

I saw her crop a rose
Right early in the day,
And I went to kiss the place
Where she broke the rose away;
And I saw the patten rings
Where she o'er the stile had gone,
And I love all other things
Her bright eyes look upon.
If she looks upon the hedge or up the leafing tree,
That whitethorn or the brown oak are made dearer things to me.

I have a pleasant hill
Which I sit upon for hours,
Where she crop't some sprigs of thyme
And other little flowers;
And she muttered as she did it
As does beauty in a dream,
And I loved her when she hid it
On her breast, so like to cream,
Near the brown mole on her neck that to me a diamond shone;
Then my eye was like to fire, and my heart was like to stone.

There is a small green place
Where cowslips early curled,
Which on Sabbath day I traced,
The dearest in the world.
A little oak spreads o'er it,
And throws a shadow round,
A green sward close before it,
The greenest ever found:
There is not a woodland nigh nor is there a green grove,
Yet stood the fair maid nigh me and told me all her love.




MILKING O' THE KYE

Young Jenny wakens at the dawn,
Fresh as carnations newly blown,
And o'er the pasture every morn
Goes milking o' the kye.
She sings her songs of happy glee,
While round her swirls the humble bee;
The butterfly, from tree to tree,
Goes gaily flirting by.

Young Jenny was a bonny thing
As ever wakened in the Spring,
And blythe she to herself could sing
At milking o' the kye.
She loved to hear the old crows croak
Upon the ash tree and the oak,
And noisy pies that almost spoke
At milking o' the kye.

She crop't the wild thyme every night,
Scenting so sweet the dewy light,
And hid it in her breast so white
At milking o' the kye.
I met and clasped her in my arms,
The finest flower on twenty farms;
Her snow-white breast my fancy warms
At milking o' the kye.




A LOVER'S VOWS

Scenes of love and days of pleasure,
I must leave them all, lassie.
Scenes of love and hours of leisure,
All are gone for aye, lassie.
No more thy velvet-bordered dress
My fond and longing een shall bless,
Thou lily in the wilderness;
And who shall love thee then, lassie?
Long I've watched thy look so tender,
Often clasped thy waist so slender:
Heaven, in thine own love defend her,
God protect my own lassie.

By all the faith I've shown afore thee,
I'll swear by more than that, lassie:
By heaven and earth I'll still adore thee,
Though we should part for aye, lassie!
By thy infant years so loving,
By thy woman's love so moving,
That white breast thy goodness proving,
I'm thine for aye, through all, lassie!
By the sun that shines for ever,
By love's light and its own Giver,
Who loveth truth and leaveth never,
I'm thine for aye, through all, lassie!




THE FALL OF THE YEAR

The Autumn's come again,
And the clouds descend in rain,
And the leaves are fast falling in the wood;
The Summer's voice is still,
Save the clacking of the mill
And the lowly-muttered thunder of the flood.

There's nothing in the mead
But the river's muddy speed,
And the willow leaves all littered by its side.
Sweet voices are all still
In the vale and on the hill,
And the Summer's blooms are withered in their pride.

Fled is the cuckoo's note
To countries far remote,
And the nightingale is vanished from the woods;
If you search the lordship round
There is not a blossom found,
And where the hay-cock scented is the flood.

My true love's fled away
Since we walked 'mid cocks of hay,
On the Sabbath in the Summer of the year;
And she's nowhere to be seen
On the meadow or the green,
But she's coming when the happy Spring is near.

When the birds begin to sing,
And the flowers begin to spring,
And the cowslips in the meadows reappear,
When the woodland oaks are seen
In their monarchy of green,
Then Mary and love's pleasures will be here.




AUTUMN

I love the fitful gust that shakes
The casement all the day,
And from the glossy elm tree takes
The faded leaves away,
Twirling them by the window pane
With thousand others down the lane.

I love to see the shaking twig
Dance till the shut of eve,
The sparrow on the cottage rig,
Whose chirp would make believe
That Spring was just now flirting by,
In Summer's lap with flowers to lie.

I love to see the cottage smoke
Curl upwards through the trees,
The pigeons nestled round the cote
On November days like these;
The cock upon the dunghill crowing,
The mill sails on the heath a-going.

The feather from the raven's breast
Falls on the stubble lea,
The acorns near the old crow's nest
Drop pattering down the tree;
The grunting pigs, that wait for all,
Scramble and hurry where they fall.




EARLY LOVE

The Spring of life is o'er with me,
And love and all gone by;
Like broken bough upon yon tree,
I'm left to fade and die.
Stern ruin seized my home and me,
And desolate's my cot:
Ruins of halls, the blasted tree,
Are emblems of my lot.

I lived and loved, I woo'd and won,
Her love was all to me,
But blight fell o'er that youthful one,
And like a blasted tree
I withered, till I all forgot
But Mary's smile on me;
She never lived where love was not,
And I from bonds was free.

The Spring it clothed the fields with pride,
When first we met together;
And then unknown to all beside
We loved in sunny weather;
We met where oaks grew overhead,
And whitethorns hung with may;
Wild thyme beneath her feet was spread,
And cows in quiet lay.

I thought her face was sweeter far
Than aught I'd seen before--
As simple as the cowslips are
Upon the rushy moor:
She seemed the muse of that sweet spot,
The lady of the plain,
And all was dull where she was not,
Till we met there again.




EVENING

'T is evening: the black snail has got on his track,
And gone to its nest is the wren,
And the packman snail, too, with his home on his back,
Clings to the bowed bents like a wen.

The shepherd has made a rude mark with his foot
Where his shadow reached when he first came,
And it just touched the tree where his secret love cut
Two letters that stand for love's name.

The evening comes in with the wishes of love,
And the shepherd he looks on the flowers,
And thinks who would praise the soft song of the dove,
And meet joy in these dew-falling hours.

For Nature is love, and finds haunts for true love,
Where nothing can hear or intrude;
It hides from the eagle and joins with the dove,
In beautiful green solitude.




A VALENTINE

Here's a valentine nosegay for Mary,
Some of Spring's earliest flowers;
The ivy is green by the dairy,
And so are these laurels of ours.
Though the snow fell so deep and the winter was dreary,
The laurels are green and the sparrows are cheery.

The snowdrops in bunches grow under the rose,
And aconites under the lilac, like fairies;
The best in the bunches for Mary I chose,
Their looks are as sweet and as simple as Mary's.
The one will make Spring in my verses so bare,
The other set off as a braid thy dark hair.

Pale primroses, too, at the old parlour end,
Have bloomed all the winter 'midst snows cold and dreary,
Where the lavender-cotton kept off the cold wind,
Now to shine in my valentine nosegay for Mary;
And appear in my verses all Summer, and be
A memento of fondness and friendship for thee.

Here's the crocus half opened, that spreads into gold,
Like branches of sunbeams left there by a fairy:
I place them as such in these verses so cold,
But they'll bloom twice as bright in the presence of Mary,
These garden flowers crop't, I will go to the field,
And see what the valley and pasture land yield.

Here peeps the pale primrose from the skirts of the wild wood,
And violet blue 'neath the thorn on the green;
The wild flowers we plucked in the days of our childhood,
On the very same spot, as no changes have been--
In the very same place where the sun kissed the leaves,
And the woodbine its branches of thorns interweaves.

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