Books: A Romance of Youth, v1
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Francois Coppee >> A Romance of Youth, v1
"Ah! It is you, Violate! Good-day! Good-day, Amedee! You come at an
unlucky time. It is shipping-day with us. I am in a great hurry--Eh!
Monsieur Combier, by your leave, Monsieur Combier! Do not forget the
three dozen of the Apparition de la Salette in stucco for Grenoble, with
twenty-five per cent. reduction upon the bill. Are you working hard,
Amedee? What do you say? He was first and assisted at the feast of St.
Charlemagne! So much the better!--Jules, did you send the six
chandeliers and the plated pyx and the Stations of the Cross, Number Two,
to the Dames du Sacre-Coeur d'Alencons? What, not yet? But the order
came three days ago! You must hurry, I tell you!--You can see, Violette,
I am overflowing with work--but come in here a moment."
And once more ordering his bookkeeper, a captive in his glass case, to
send the officers the notes that the cure of Sourdeval had allowed to go
to protest, Uncle Isidore ushered M. Violette and his son into his
office.
It was an ancient room, and M. Gaufre, who aimed at the austere, had made
it gloomier still by a safe, and black haircloth furniture, which looked
as if taken from a vestryroom. The pretty, high, and oval apartment,
with its large window, opening upon a garden, its ceiling painted in
light rosy clouds, its woodwork ornamented with wreaths and quivers,
still preserved some of the charm and elegance of former days. Amedee
would have been amused there, had not Uncle Isidore, who had seated
himself before his desk, launched at once an unkind question at M.
Violette.
"By the way, have you obtained the promotion that you counted so much
upon last year?"
"Unfortunately, no, Monsieur Gaufre. You know what the Administration
is."
"Yes, it is slow; but you are not overwhelmed with work, however. While
in a business like this--what cares, what annoyances! I sometimes envy
you. You can take an hour to cut your pens. Well, what is wanted of me
now?"
The head of a clerk with a pencil behind his ear, appeared through the
half-open door.
"Monsieur le Superieur of Foreign Missions wishes to speak with
Monsieur."
"You can see! Not one minute to myself. Another time, my dear Violette.
Adieu, my little man--it is astonishing how much he grows to look like
Lucie! You must come and dine with me some Sunday, without ceremony.
Berenice's 'souffle au fromage' is something delicious! Let Monsieur le
Superieur come in."
M. Violette took his departure, displeased at his useless visit and
irritated against Uncle Isidore, who had been hardly civil.
"That man is a perfect egotist," thought he, sadly; "and that girl has
him in her clutches. My poor Amedee will have nothing from him."
Amedee himself was not interested in his uncle's fortune. He was just
then a pupil in the fourth grade, which follows the same studies as at
the Lycee Henri IV. Having suddenly grown tall, he was annoyed at
wearing short trousers, and had already renounced all infantile games.
The dangling crows which illustrated the pages of his Burnouf grammar
were all dated the previous year, and he had entirely renounced feeding
silkworms in his desk. Everything pointed to his not being a very
practical man. Geometry disgusted him, and as for dates, he could not
remember one. On holidays he liked to walk by himself through quiet
streets; he read poems at the bookstalls, and lingered in the Luxembourg
Gardens to see the sun set. Destined to be a dreamer and a
sentimentalist--so much the worse for you, poor Amedee!
He went very often to the Gerards, but he no longer called his little
friends "thou." Louise was now seventeen years old, thin, without color,
and with a lank figure; decidedly far from pretty. People, in speaking
of her, began to say, "She has beautiful eyes and is an excellent
musician." Her sister Maria was twelve years old and a perfect little
rosebud.
As to the neighbor's little girl, Rosine Combarieu, she had disappeared.
One day the printer suddenly departed without saying a word to anybody,
and took his child with him. The concierge said that he was concerned in
some political plot, and was obliged to leave the house in the night.
They believed him to be concealed in some small town.
Accordingly, Father Gerard was not angry with him for fleeing without
taking leave of him. The conspirator had kept all his prestige in the
eyes of the engraver, who, by a special run of ill-luck, was always
engaged by a publisher of Bonapartist works, and was busy at that moment
upon a portrait of the Prince Imperial, in the uniform of a corporal of
the Guards, with an immense bearskin cap upon his childish head.
Father Gerard was growing old. His beard, formerly of a reddish shade,
and what little hair there was remaining upon his head, had become
silvery white; that wonderful white which, like a tardy recompense to
red-faced persons, becomes their full-blooded faces so well. The good
man felt the weight of years, as did his wife, whose flesh increased in
such a troublesome way that she was forced to pant heavily when she
seated herself after climbing the five flights. Father Gerard grew old,
like everything that surrounded him; like the house opposite, that he had
seen built, and that no longer had the air of a new building; like his
curious old furniture, his mended crockery, and his engravings, yellow
with age, the frames of which had turned red; like the old Erard piano,
upon which Louise, an accomplished performer, now was playing a set of
Beethoven's waltzes and Mendelssohn's "Songs Without Words." This poor
old servant now had only the shrill, trembling tones of a harmonica.
The poor artist grew old, and he was uneasy as to the future; for he had
not known how to manage like his school-friend, the intriguing
Damourette, who had formerly cheated him out of the 'prix de Rome' by a
favor, and who now played the gentleman at the Institute, in his
embroidered coat, and received all the good orders. He, the simpleton,
had saddled himself with a family, and although he had drudged like a
slave he had laid nothing aside. One day he might be stricken with
apoplexy and leave his widow without resources, and his two daughters
without a dowry. He sometimes thought of all this as he filled his pipe,
and it was not pleasant.
If M. Gerard grew gloomy as he grew older, M. Violette became mournful.
He was more than forty years old now. What a decline! Does grief make
the years count double? The widower was a mere wreck. His rebellious
lock of hair had become a dirty gray, and always hung over his right eye,
and he no longer took the trouble to toss it behind his ear. His hands
trembled and he felt his memory leaving him. He grew more taciturn and
silent than ever, and seemed interested in nothing, not even in his son's
studies. He returned home late, ate little at dinner, and then went out
again with a tottering step to pace the dark, gloomy streets. At the
office, where he still did his work mechanically, he was a doomed man;
he never would be elected chief assistant. "What depravity!" said one
of his fellow clerks, a young man with a bright future, protected by the
head of the department, who went to the races and had not his equal in
imitating the "Gnouf! gnouf!" of Grassot, the actor. "A man of his age
does not decline so rapidly without good cause. It is not natural!"
What is it, then, that has reduced M. Violette to such a degree of
dejection and wretchedness?
Alas! we must admit it. The unhappy man lacked courage, and he sought
consolation in his despair, and found it in a vice.
Every evening when he left his office he went into a filthy little cafe
on the Rue du Four. He would seat himself upon a bench in the back of
the room, in the darkest corner, as if ashamed; and would ask in a low
tone for his first glass of absinthe. His first! Yes, for he drank two,
three even. He drank them in little sips, feeling slowly rise within him
the cerebral rapture of the powerful liquor. Let those who are happy
blame him if they will! It was there, leaning upon the marble table,
looking at, without seeing her, through the pyramids of lump sugar and
bowls of punch, the lady cashier with her well oiled hair reflected in
the glass behind her--it was there that the inconsolable widower found
forgetfulness of his trouble. It was there that for one hour he lived
over again his former happiness.
For, by a phenomenon well known to drinkers of absinthe, he regulated and
governed his intoxication, and it gave him the dream that he desired.
"Boy, one glass of absinthe!"
And once more he became the young husband, who adores his dear Lucie and
is adored by her.
It is winter, he is seated in the corner by the fire, and before him,
sitting in the light reflected by a green lampshade upon which dark
silhouettes of jockey-riders are running at full speed, his wife is
busying herself with some embroidery. Every few moments they look at
each other and smile, he over his book and she over her work; the lover
never tired of admiring Lucie's delicate fingers. She is too pretty!
Suddenly he falls at her feet, slips his arm about her waist, and gives
her a long kiss; then, overcome with languor, he puts his head upon his
beloved's knees and hears her say to him, in a low voice: "That is right!
Go to sleep!" and her soft hands lightly stroke his hair.
"Boy, one glass of absinthe!"
They are in that beautiful field filled with flowers, near the woods in
Verrieres, upon a fine June afternoon when the sun is low. She has made
a magnificent bouquet of field flowers. She stops at intervals to add a
cornflower, and he follows, carrying her mantle and umbrella. How
beautiful is summer and how sweet it is to love! They are a little
tired; for during the whole of this bright Sunday they have wandered
through the meadows. It is the hour for dinner, and here is a little
tavern under some lindens, where the whiteness of the napkins rivals the
blossoming thickets. They choose a table and order their repast of a
moustached youth. While waiting for their soup, Lucie, rosy from being
out all day in the open air and silent from hunger, amuses herself in
looking at the blue designs on the plates, which represented battles in
Africa. What a joyous dinner! There were mushrooms in the omelet,
mushrooms in the stewed kidneys, mushrooms in the filet. But so much the
better! They are very fond of them. And the good wine! The dear child
is almost intoxicated at dessert! She takes it into her head to squeeze
a cherry-stone between her thumb and first finger and makes it pop-slap!
into her husband's face! And the naughty creature laughs! But he will
have his revenge--wait a little! He rises, and leaning over the table
buries two fingers between her collar and her neck, and the mischievous
creature draws her head down into her shoulders as far as she can,
begging him, with a nervous laugh, "No, no, I beseech you!" for she is
afraid of being tickled. But the best time of all is the return through
the country at night, the exquisite odor of new-mown hay, the road
lighted by a summer sky where the whole zodiac twinkles, and through
which, like a silent stream, the Chemin de St. Jacques rolls its diamond
smoke.
Tired and happy she hangs upon her husband's arm. How he loves her!
It seems to him that his love for Lucie is as deep and profound as the
night. "Nobody is coming let me kiss your dear mouth!" and their kisses
are so pure, so sincere, and so sweet, that they ought to rejoice the
stars!
"Another glass of absinthe, boy--one more!"
And the unhappy man would forget for a few moments longer that he ought
to go back to his lonely lodging, where the servant had laid the table
some time before, and his little son awaited him, yawning with hunger and
reading a book placed beside his plate. He forgot the horrible moment of
returning, when he would try to hide his intoxicated condition under a
feint of bad humor, and when he would seat himself at table without even
kissing Amedee, in order that the child should not smell his breath.
ETEXT EDITOR'S BOOKMARKS:
Break in his memory, like a book with several leaves torn out
Inoffensive tree which never had harmed anybody
It was all delightfully terrible!
Mild, unpretentious men who let everybody run over them
Now his grief was his wife, and lived with him
Tediousness seems to ooze out through their bindings
Tired smile of those who have not long to live
Trees are like men; there are some that have no luck
Voice of the heart which alone has power to reach the heart
When he sings, it is because he has something to sing about