Books: The Three Cities Trilogy: Paris, Complete
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Emile Zola >> The Three Cities Trilogy: Paris, Complete
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Then Massot approached the brothers. This time, on seeing Pierre without
his cassock, he did not even make a sign of astonishment, but gaily
remarked: "So you felt curious to see this affair, Monsieur Froment?"
"Yes, I came with my brother," Pierre replied. "But I very much fear that
we shan't see much."
"You certainly won't if you stay here," rejoined Massot. And thereupon in
his usual good-natured way--glad, moreover, to show what power a
well-known journalist could wield--he inquired: "Would you like me to
pass you through? The inspector here happens to be a friend of mine."
Then, without waiting for an answer, he stopped the inspector and hastily
whispered to him that he had brought a couple of colleagues, who wanted
to report the proceedings. At first the inspector hesitated, and seemed
inclined to refuse Massot's request; but after a moment, influenced by
the covert fear which the police always has of the press, he made a weary
gesture of consent.
"Come, quick, then," said Massot, turning to the brothers, and taking
them along with him.
A moment later, to the intense surprise of Pierre and Guillaume, the
guards opened their ranks to let them pass. They then found themselves in
the large open space which was kept clear. And on thus emerging from the
tumultuous throng they were quite impressed by the death-like silence and
solitude which reigned under the little plane-trees. The night was now
paling. A faint gleam of dawn was already falling from the sky.
After leading his companions slantwise across the square, Massot stopped
them near the prison and resumed: "I'm going inside; I want to see the
prisoner roused and got ready. In the meantime, walk about here; nobody
will say anything to you. Besides, I'll come back to you in a moment."
A hundred people or so, journalists and other privileged spectators, were
scattered about the dark square. Movable wooden barriers--such as are set
up at the doors of theatres when there is a press of people waiting for
admission--had been placed on either side of the pavement running from
the prison gate to the guillotine; and some sightseers were already
leaning over these barriers, in order to secure a close view of the
condemned man as he passed by. Others were walking slowly to and fro, and
conversing in undertones. The brothers, for their part, approached the
guillotine.
It stood there under the branches of the trees, amidst the delicate
greenery of the fresh leaves of spring. A neighbouring gas-lamp, whose
light was turning yellow in the rising dawn, cast vague gleams upon it.
The work of fixing it in position--work performed as quietly as could be,
so that the only sound was the occasional thud of a mallet--had just been
finished; and the headsman's "valets" or assistants, in frock-coats and
tall silk hats, were waiting and strolling about in a patient way. But
the instrument itself, how base and shameful it looked, squatting on the
ground like some filthy beast, disgusted with the work it had to
accomplish! What! those few beams lying on the ground, and those others
barely nine feet high which rose from it, keeping the knife in position,
constituted the machine which avenged Society, the instrument which gave
a warning to evil-doers! Where was the big scaffold painted a bright red
and reached by a stairway of ten steps, the scaffold which raised high
bloody arms over the eager multitude, so that everybody might behold the
punishment of the law in all its horror! The beast had now been felled to
the ground, where it simply looked ignoble, crafty and cowardly. If on
the one hand there was no majesty in the manner in which human justice
condemned a man to death at its assizes: on the other, there was merely
horrid butchery with the help of the most barbarous and repulsive of
mechanical contrivances, on the terrible day when that man was executed.
As Pierre and Guillaume gazed at the guillotine, a feeling of nausea came
over them. Daylight was now slowly breaking, and the surroundings were
appearing to view: first the square itself with its two low, grey
prisons, facing one another; then the distant houses, the taverns, the
marble workers' establishments, and the shops selling flowers and
wreaths, which are numerous hereabouts, as the cemetery of Pere-Lachaise
is so near. Before long one could plainly distinguish the black lines of
the spectators standing around in a circle, the heads leaning forward
from windows and balconies, and the people who had climbed to the very
house roofs. The prison of La Petite Roquette over the way had been
turned into a kind of tribune for guests; and mounted Gardes de Paris
went slowly to and fro across the intervening expanse. Then, as the sky
brightened, labour awoke throughout the district beyond the crowd, a
district of broad, endless streets lined with factories, work-shops and
work-yards. Engines began to snort, machinery and appliances were got
ready to start once more on their usual tasks, and smoke already curled
away from the forest of lofty brick chimneys which, on all sides, sprang
out of the gloom.
It then seemed to Guillaume that the guillotine was really in its right
place in that district of want and toil. It stood in its own realm, like
a /terminus/ and a threat. Did not ignorance, poverty and woe lead to it?
And each time that it was set up amidst those toilsome streets, was it
not charged to overawe the disinherited ones, the starvelings, who,
exasperated by everlasting injustice, were always ready for revolt? It
was not seen in the districts where wealth and enjoyment reigned. It
would there have seemed purposeless, degrading and truly monstrous. And
it was a tragical and terrible coincidence that the bomb-thrower, driven
mad by want, should be guillotined there, in the very centre of want's
dominion.
But daylight had come at last, for it was nearly half-past four. The
distant noisy crowd could feel that the expected moment was drawing nigh.
A shudder suddenly sped through the atmosphere.
"He's coming," exclaimed little Massot, as he came back to Pierre and
Guillaume. "Ah! that Salvat is a brave fellow after all."
Then he related how the prisoner had been awakened; how the governor of
the prison, magistrate Amadieu, the chaplain, and a few other persons had
entered the cell where Salvat lay fast asleep; and then how the condemned
man had understood the truth immediately upon opening his eyes. He had
risen, looking pale but quite composed. And he had dressed himself
without assistance, and had declined the nip of brandy and the cigarette
proffered by the good-hearted chaplain, in the same way as with a gentle
but stubborn gesture he had brushed the crucifix aside. Then had come the
"toilette" for death. With all rapidity and without a word being
exchanged, Salvat's hands had been tied behind his back, his legs had
been loosely secured with a cord, and the neckband of his shirt had been
cut away. He had smiled when the others exhorted him to be brave. He only
feared some nervous weakness, and had but one desire, to die like a hero,
to remain the martyr of the ardent faith in truth and justice for which
he was about to perish.
"They are now drawing up the death certificate in the register,"
continued Massot in his chattering way. "Come along, come along to the
barriers if you wish a good view. . . . I turned paler, you know, and
trembled far more than he did. I don't care a rap for anything as a rule;
but, all the same, an execution isn't a pleasant business. . . . You
can't imagine how many attempts were made to save Salvat's life. Even
some of the papers asked that he might be reprieved. But nothing
succeeded, the execution was regarded as inevitable, it seems, even by
those who consider it a blunder. Still, they had such a touching
opportunity to reprieve him, when his daughter, little Celine, wrote that
fine letter to the President of the Republic, which I was the first to
publish in the 'Globe.' Ah! that letter, it cost me a lot of running
about!"
Pierre, who was already quite upset by this long wait for the horrible
scene, felt moved to tears by Massot's reference to Celine. He could
again see the child standing beside Madame Theodore in that bare, cold
room whither her father would never more return. It was thence that he
had set out on a day of desperation with his stomach empty and his brain
on fire, and it was here that he would end, between yonder beams, beneath
yonder knife.
Massot, however, was still giving particulars. The doctors, said he, were
furious because they feared that the body would not be delivered to them
immediately after the execution. To this Guillaume did not listen. He
stood there with his elbows resting on the wooden barrier and his eyes
fixed on the prison gate, which still remained shut. His hands were
quivering, and there was an expression of anguish on his face as if it
were he himself who was about to be executed. The headsman had again just
left the prison. He was a little, insignificant-looking man, and seemed
annoyed, anxious to have done with it all. Then, among a group of
frock-coated gentlemen, some of the spectators pointed out Gascogne, the
Chief of the Detective Police, who wore a cold, official air, and
Amadieu, the investigating magistrate, who smiled and looked very spruce,
early though the hour was. He had come partly because it was his duty,
and partly because he wished to show himself now that the curtain was
about to fall on a wonderful tragedy of which he considered himself the
author. Guillaume glanced at him, and then as a growing uproar rose from
the distant crowd, he looked up for an instant, and again beheld the two
grey prisons, the plane-trees with their fresh young leaves, and the
houses swarming with people beneath the pale blue sky, in which the
triumphant sun was about to appear.
"Look out, here he comes!"
Who had spoken? A slight noise, that of the opening gate, made every
heart throb. Necks were outstretched, eyes gazed fixedly, there was
laboured breathing on all sides. Salvat stood on the threshold of the
prison. The chaplain, stepping backwards, had come out in advance of him,
in order to conceal the guillotine from his sight, but he had stopped
short, for he wished to see that instrument of death, make acquaintance
with it, as it were, before he walked towards it. And as he stood there,
his long, aged sunken face, on which life's hardships had left their
mark, seemed transformed by the wondrous brilliancy of his flaring,
dreamy eyes. Enthusiasm bore him up--he was going to his death in all the
splendour of his dream. When the executioner's assistants drew near to
support him he once more refused their help, and again set himself in
motion, advancing with short steps, but as quickly and as straightly as
the rope hampering his legs permitted.
All at once Guillaume felt that Salvat's eyes were fixed upon him.
Drawing nearer and nearer the condemned man had perceived and recognised
his friend; and as he passed by, at a distance of no more than six or
seven feet, he smiled faintly and darted such a deep penetrating glance
at Guillaume, that ever afterwards the latter felt its smart. But what
last thought, what supreme legacy had Salvat left him to meditate upon,
perhaps to put into execution? It was all so poignant that Pierre feared
some involuntary call on his brother's part; and so he laid his hand upon
his arm to quiet him.
"Long live Anarchy!"
It was Salvat who had raised this cry. But in the deep silence his husky,
altered voice seemed to break. The few who were near at hand had turned
very pale; the distant crowd seemed bereft of life. The horse of one of
the Gardes de Paris was alone heard snorting in the centre of the space
which had been kept clear.
Then came a loathsome scramble, a scene of nameless brutality and
ignominy. The headsman's helps rushed upon Salvat as he came up slowly
with brow erect. Two of them seized him by the head, but finding little
hair there, could only lower it by tugging at his neck. Next two others
grasped him by the legs and flung him violently upon a plank which tilted
over and rolled forward. Then, by dint of pushing and tugging, the head
was got into the "lunette," the upper part of which fell in such wise
that the neck was fixed as in a ship's port-hole--and all this was
accomplished amidst such confusion and with such savagery that one might
have thought that head some cumbrous thing which it was necessary to get
rid of with the greatest speed. But the knife fell with a dull, heavy,
forcible thud, and two long jets of blood spurted from the severed
arteries, while the dead man's feet moved convulsively. Nothing else
could be seen. The executioner rubbed his hands in a mechanical way, and
an assistant took the severed blood-streaming head from the little basket
into which it had fallen and placed it in the large basket into which the
body had already been turned.
Ah! that dull, that heavy thud of the knife! It seemed to Guillaume that
he had heard it echoing far away all over that district of want and toil,
even in the squalid rooms where thousands of workmen were at that moment
rising to perform their day's hard task! And there the echo of that thud
acquired formidable significance; it spoke of man's exasperation with
injustice, of zeal for martyrdom, and of the dolorous hope that the blood
then spilt might hasten the victory of the disinherited.
Pierre, for his part, at the sight of that loathsome butchery, the abject
cutthroat work of that killing machine, had suddenly felt his chilling
shudder become more violent; for before him arose a vision of another
corpse, that of the fair, pretty child ripped open by a bomb and
stretched yonder, at the entrance of the Duvillard mansion. Blood
streamed from her delicate flesh, just as it had streamed from that
decapitated neck. It was blood paying for blood; it was like payment for
mankind's debt of wretchedness, for which payment is everlastingly being
made, without man ever being able to free himself from suffering.
Above the square and the crowd all was still silent in the clear sky. How
long had the abomination lasted? An eternity, perhaps, compressed into
two or three minutes. And now came an awakening: the spectators emerged
from their nightmare with quivering hands, livid faces, and eyes
expressive of compassion, disgust and fear.
"That makes another one. I've now seen four executions," said Massot, who
felt ill at ease. "After all, I prefer to report weddings. Let us go off,
I have all I want for my article."
Guillaume and Pierre followed him mechanically across the square, and
again reached the corner of the Rue Merlin. And here they saw little
Victor Mathis, with flaming eyes and white face, still standing in
silence on the spot where they had left him. He could have seen nothing
distinctly; but the thud of the knife was still echoing in his brain. A
policeman at last gave him a push, and told him to move on. At this he
looked the policeman in the face, stirred by sudden rage and ready to
strangle him. Then, however, he quietly walked away, ascending the Rue de
la Roquette, atop of which the lofty foliage of Pere-Lachaise could be
seen, beneath the rising sun.
The brothers meantime fell upon a scene of explanations, which they heard
without wishing to do so. Now that the sight was over, the Princess de
Harn arrived, and she was the more furious as at the door of the wine
shop she could see her new friend Duthil accompanying a woman.
"I say!" she exclaimed, "you are nice, you are, to have left me in the
lurch like this! It was impossible for my carriage to get near, so I've
had to come on foot through all those horrid people who have been
jostling and insulting me."
Thereupon Duthil, with all promptitude, introduced Silviane to her,
adding, in an aside, that he had taken a friend's place as the actress's
escort. And then Rosemonde, who greatly wished to know Silviane, calmed
down as if by enchantment, and put on her most engaging ways. "It would
have delighted me, madame," said she, "to have seen this sight in the
company of an /artiste/ of your merit, one whom I admire so much, though
I have never before had an opportunity of telling her so."
"Well, dear me, madame," replied Silviane, "you haven't lost much by
arriving late. We were on that balcony there, and all that I could see
were a few men pushing another one about. . . . It really isn't worth the
trouble of coming."
"Well, now that we have become acquainted, madame," said the Princess, "I
really hope that you will allow me to be your friend."
"Certainly, madame, my friend; and I shall be flattered and delighted to
be yours."
Standing there, hand in hand, they smiled at one another. Silviane was
very drunk, but her virginal expression had returned to her face; whilst
Rosemonde seemed feverish with vicious curiosity. Duthil, whom the scene
amused, now had but one thought, that of seeing Silviane home; so calling
to Massot, who was approaching, he asked him where he should find a
cab-rank. Rosemonde, however, at once offered her carriage, which was
waiting in an adjacent street.
She would set the actress down at her door, said she, and the deputy at
his; and such was her persistence in the matter that Duthil, greatly
vexed, was obliged to accept her offer.
"Well, then, till to-morrow at the Madeleine," said Massot, again quite
sprightly, as he shook hands with the Princess.
"Yes, till to-morrow, at the Madeleine and the Comedie."
"Ah! yes, of course!" he repeated, taking Silviane's hand, which he
kissed. "The Madeleine in the morning and the Comedie in the evening. . .
. We shall all be there to applaud you."
"Yes, I expect you to do so," said Silviane. "Till to-morrow, then!"
"Till to-morrow!"
The crowd was now wearily dispersing, to all appearance disappointed and
ill at ease. A few enthusiasts alone lingered in order to witness the
departure of the van in which Salvat's corpse would soon be removed;
while bands of prowlers and harlots, looking very wan in the daylight,
whistled or called to one another with some last filthy expression before
returning to their dens. The headsman's assistants were hastily taking
down the guillotine, and the square would soon be quite clear.
Pierre for his part wished to lead his brother away. Since the fall of
the knife, Guillaume had remained as if stunned, without once opening his
lips. In vain had Pierre tried to rouse him by pointing to the shutters
of Mege's flat, which still remained closed, whereas every other window
of the lofty house was wide open. Although the Socialist deputy hated the
Anarchists, those shutters were doubtless closed as a protest against
capital punishment. Whilst the multitude had been rushing to that
frightful spectacle, Mege, still in bed, with his face turned to the
wall, had probably been dreaming of how he would some day compel mankind
to be happy beneath the rigid laws of Collectivism. Affectionate father
as he was, the recent death of one of his children had quite upset his
private life. His cough, too, had become a very bad one; but he ardently
wished to live, for as soon as that new Monferrand ministry should have
fallen beneath the interpellation which he already contemplated, his own
turn would surely come: he would take the reins of power in hand, abolish
the guillotine and decree justice and perfect felicity.
"Do you see, Guillaume?" Pierre gently repeated. "Mege hasn't opened his
windows. He's a good fellow, after all; although our friends Bache and
Morin dislike him." Then, as his brother still refrained from answering,
Pierre added, "Come, let us go, we must get back home."
They both turned into the Rue de la Folie Regnault, and reached the outer
Boulevards by way of the Rue du Chemin Vert. All the toilers of the
district were now at work. In the long streets edged with low buildings,
work-shops and factories, one heard engines snorting and machinery
rumbling, while up above, the smoke from the lofty chimneys was assuming
a rosy hue in the sunrise. Afterwards, when the brothers reached the
Boulevard de Menilmontant and the Boulevard de Belleville, which they
followed in turn at a leisurely pace, they witnessed the great rush of
the working classes into central Paris. The stream poured forth from
every side; from all the wretched streets of the faubourgs there was an
endless exodus of toilers, who, having risen at dawn, were now hurrying,
in the sharp morning air, to their daily labour. Some wore short jackets
and others blouses; some were in velveteen trousers, others in linen
overalls. Their thick shoes made their tramp a heavy one; their hanging
hands were often deformed by work. And they seemed half asleep, not a
smile was to be seen on any of those wan, weary faces turned yonder
towards the everlasting task--the task which was begun afresh each day,
and which--'twas their only chance--they hoped to be able to take up for
ever and ever. There was no end to that drove of toilers, that army of
various callings, that human flesh fated to manual labour, upon which
Paris preys in order that she may live in luxury and enjoyment.
Then the procession continued across the Boulevard de la Villette, the
Boulevard de la Chapelle, and the Boulevard de Rochechouart, where one
reached the height of Montmartre. More and more workmen were ever coming
down from their bare cold rooms and plunging into the huge city, whence,
tired out, they would that evening merely bring back the bread of
rancour. And now, too, came a stream of work-girls, some of them in
bright skirts, some glancing at the passers-by; girls whose wages were so
paltry, so insufficient, that now and again pretty ones among them never
more turned their faces homewards, whilst the ugly ones wasted away,
condemned to mere bread and water. A little later, moreover, came the
/employes/, the clerks, the counter-jumpers, the whole world of
frock-coated penury--"gentlemen" who devoured a roll as they hastened
onward, worried the while by the dread of being unable to pay their rent,
or by the problem of providing food for wife and children until the end
of the month should come.* And now the sun was fast ascending on the
horizon, the whole army of ants was out and about, and the toilsome day
had begun with its ceaseless display of courage, energy and suffering.
* In Paris nearly all clerks and shop-assistants receive
monthly salaries, while most workmen are paid once a
fortnight.--Trans.
Never before had it been so plainly manifest to Pierre that work was a
necessity, that it healed and saved. On the occasion of his visit to the
Grandidier works, and later still, when he himself had felt the need of
occupation, there had cone to him the thought that work was really the
world's law. And after that hateful night, after that spilling of blood,
after the slaughter of that toiler maddened by his dreams, there was
consolation and hope in seeing the sun rise once more, and everlasting
labour take up its wonted task. However hard it might prove, however
unjustly it might be lotted out, was it not work which would some day
bring both justice and happiness to the world?
All at once, as the brothers were climbing the steep hillside towards
Guillaume's house, they perceived before and above them the basilica of
the Sacred Heart rising majestically and triumphantly to the sky. This
was no sublunar apparition, no dreamy vision of Domination standing face
to face with nocturnal Paris. The sun now clothed the edifice with
splendour, it looked golden and proud and victorious, flaring with
immortal glory.
Then Guillaume, still silent, still feeling Salvat's last glance upon
him, seemed to come to some sudden and final decision. He looked at the
basilica with glowing eyes, and pronounced sentence upon it.
II
IN VANITY FAIR
THE wedding was to take place at noon, and for half an hour already
guests had been pouring into the magnificently decorated church, which
was leafy with evergreens and balmy with the scent of flowers. The high
altar in the rear glowed with countless candles, and through the great
doorway, which was wide open, one could see the peristyle decked with
shrubs, the steps covered with a broad carpet, and the inquisitive crowd
assembled on the square and even along the Rue Royale, under the bright
sun.
After finding three more chairs for some ladies who had arrived rather
late, Duthil remarked to Massot, who was jotting down names in his
note-book: "Well, if any more come, they will have to remain standing."
"Who were those three?" the journalist inquired.
"The Duchess de Boisemont and her two daughters."
"Indeed! All the titled people of France, as well as all the financiers
and politicians, are here! It's something more even than a swell Parisian
wedding."
As a matter of fact all the spheres of "society" were gathered together
there, and some at first seemed rather embarrassed at finding themselves
beside others. Whilst Duvillard's name attracted all the princes of
finance and politicians in power, Madame de Quinsac and her son were
supported by the highest of the French aristocracy. The mere names of the
witnesses sufficed to indicate what an extraordinary medley there was. On
Gerard's side these witnesses were his uncle, General de Bozonnet, and
the Marquis de Morigny; whilst on Camille's they were the great banker
Louvard, and Monferrand, the President of the Council and Minister of
Finances. The quiet bravado which the latter displayed in thus supporting
the bride after being compromised in her father's financial intrigues
imparted a piquant touch of impudence to his triumph. And public
curiosity was further stimulated by the circumstance that the nuptial
blessing was to be given by Monseigneur Martha, Bishop of Persepolis, the
Pope's political agent in France, and the apostle of the endeavours to
win the Republic over to the Church by pretending to "rally" to it.
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