Books: The Three Cities Trilogy: Paris, Complete

E >> Emile Zola >> The Three Cities Trilogy: Paris, Complete

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"Yes, my friend," she said, "I am not satisfied with Gerard's health. You
will see him yourself, for he promised to come home early and dine with
me. Oh! I'm well aware that he looks big and strong; but to know him
properly one must have nursed and watched him as I have done! What
trouble I had to rear him! In reality he is at the mercy of any petty
ailment. His slightest complaint becomes serious illness. And the life he
leads does not conduce to good health."

She paused and sighed, hesitating to carry her confession further.

"He leads the life he can," slowly responded the Marquis de Morigny, of
whose delicate profile, and lofty yet loving bearing, little could be
seen in the gloom. "As he was unable to endure military life, and as even
the fatigues of diplomacy frighten you, what would you have him do? He
can only live apart pending the final collapse, while this abominable
Republic is dragging France to the grave."

"No doubt, my friend. And yet it is just that idle life which frightens
me. He is losing in it all that was good and healthy in him. I don't
refer merely to the /liaisons/ which we have had to tolerate. The last
one, which I found so much difficulty in countenancing at the outset, so
contrary did it seem to all my ideas and beliefs, has since seemed to me
to exercise almost a good influence. Only he is now entering his
thirty-sixth year, and can he continue living in this fashion without
object or duties? If he is ailing it is perhaps precisely because he does
nothing, holds no position, and serves no purpose." Her voice again
quavered. "And then, my friend, since you force me to tell you
everything, I must own that I am not in good health myself. I have had
several fainting fits of late, and have consulted a doctor. The truth is,
that I may go off at any moment."

With a quiver, Morigny leant forward in the still deepening gloom, and
wished to take hold of her hands. "You! what, am I to lose you, my last
affection!" he faltered, "I who have seen the old world I belong to
crumble away, I who only live in the hope that you at all events will
still be here to close my eyes!"

But she begged him not to increase her grief: "No, no, don't take my
hands, don't kiss them! Remain there in the shade, where I can scarcely
see you. . . . We have loved one another so long without aught to cause
shame or regret; and that will prove our strength--our divine
strength--till we reach the grave. . . . And if you were to touch me, if
I were to feel you too near me I could not finish, for I have not done so
yet."

As soon as he had relapsed into silence and immobility, she continued:
"If I were to die to-morrow, Gerard would not even find here the little
fortune which he still fancies is in my hands. The dear child has often
cost me large sums of money without apparently being conscious of it. I
ought to have been more severe, more prudent. But what would you have?
Ruin is at hand. I have always been too weak a mother. And do you now
understand in what anguish I live? I ever have the thought that if I die
Gerard will not even possess enough to live on, for he is incapable of
effecting the miracle which I renew each day, in order to keep the house
up on a decent footing. . . . Ah! I know him, so supine, so sickly, in
spite of his proud bearing, unable to do anything, even conduct himself.
And so what will become of him; will he not fall into the most dire
distress?"

Then her tears flowed freely, her heart opened and bled, for she foresaw
what must happen after her death: the collapse of her race and of a whole
world in the person of that big child. And the Marquis, still motionless
but distracted, feeling that he had no title to offer his own fortune,
suddenly understood her, foresaw in what disgrace this fresh disaster
would culminate.

"Ah! my poor friend!" he said at last in a voice trembling with revolt
and grief. "So you have agreed to that marriage--yes, that abominable
marriage with that woman's daughter! Yet you swore it should never be!
You would rather witness the collapse of everything, you said. And now
you are consenting, I can feel it!"

She still wept on in that black, silent drawing-room before the
chimney-piece where the fire had died out. Did not Gerard's marriage to
Camille mean a happy ending for herself, a certainty of leaving her son
wealthy, loved, and seated at the banquet of life? However, a last
feeling of rebellion arose within her.

"No, no," she exclaimed, "I don't consent, I swear to you that I don't
consent as yet. I am fighting with my whole strength, waging an incessant
battle, the torture of which you cannot imagine."

Then, in all sincerity, she foresaw the likelihood of defeat. "If I
should some day give way, my friend, at all events believe that I feel,
as fully as you do, how abominable such a marriage must be. It will be
the end of our race and our honour!"

This cry profoundly stirred the Marquis, and he was unable to add a word.
Haughty and uncompromising Catholic and Royalist that he was, he, on his
side also, expected nothing but the supreme collapse. Yet how
heartrending was the thought that this noble woman, so dearly and so
purely loved, would prove one of the most mournful victims of the
catastrophe! And in the shrouding gloom he found courage to kneel before
her, take her hand, and kiss it.

Just as the servant was at last bringing a lighted lamp Gerard made his
appearance. The past-century charm of the old Louis XVI. drawing-room,
with its pale woodwork, again became apparent in the soft light. In order
that his mother might not be over-saddened by his failure to dine with
her that evening the young man had put on an air of brisk gaiety; and
when he had explained that some friends were waiting for him, she at once
released him from his promise, happy as she felt at seeing him so merry.

"Go, go, my dear boy," said she, "but mind you do not tire yourself too
much. . . . I am going to keep Morigny; and the General and Larombiere
are coming at nine o'clock. So be easy, I shall have someone with me to
keep me from fretting and feeling lonely."

In this wise Gerard after sitting down for a moment and chatting with the
Marquis was able to slip away, dress, and betake himself to the Cafe
Anglais.

When he reached it women in fur cloaks were already climbing the stairs,
fashionable and merry parties were filling the private rooms, the
electric lights shone brilliantly, and the walls were already vibrating
with the stir of pleasure and debauchery. In the room which Baron
Duvillard had engaged the young man found an extraordinary display, the
most superb flowers, and a profusion of plate and crystal as for a royal
gala. The pomp with which the six covers were laid called forth a smile;
while the bill of fare and the wine list promised marvels, all the rarest
and most expensive things that could be selected.

"It's stylish, isn't it?" exclaimed Silviane, who was already there with
Duvillard, Fonsegue and Duthil. "I just wanted to make your influential
critic open his eyes a little! When one treats a journalist to such a
dinner as this, he has got to be amiable, hasn't he?"

In her desire to conquer, it had occurred to the young woman to array
herself in the most amazing fashion. Her gown of yellow satin, covered
with old Alencon lace, was cut low at the neck; and she had put on all
her diamonds, a necklace, a diadem, shoulder-knots, bracelets and rings.
With her candid, girlish face, she looked like some Virgin in a missal, a
Queen-Virgin, laden with the offerings of all Christendom.

"Well, well, you look so pretty," said Gerard, who sometimes jested with
her, "that I think it will do all the same."

"Ah!" she replied with equanimity. "You consider me a /bourgeoise/, I
see. Your opinion is that a simple little dinner and a modest gown would
have shown better taste. But ah! my dear fellow, you don't know the way
to get round men!"

Duvillard signified his approval, for he was delighted to be able to show
her in all her glory, adorned like an idol. Fonsegue, for his part,
talked of diamonds, saying that they were now doubtful investments, as
the day when they would become articles of current manufacture was fast
approaching, thanks to the electrical furnace and other inventions.
Meantime Duthil, with an air of ecstasy and the dainty gestures of a
lady's maid, hovered around the young woman, either smoothing a
rebellious bow or arranging some fold of her lace.

"But I say," resumed Silviane, "your critic seems to be an ill-bred man,
for he's keeping us waiting."

Indeed, the critic arrived a quarter of an hour late, and while
apologising, he expressed his regret that he should be obliged to leave
at half-past nine, for he was absolutely compelled to put in an
appearance at a little theatre in the Rue Pigalle. He was a big fellow of
fifty with broad shoulders and a full, bearded face. His most
disagreeable characteristic was the narrow dogmatic pedantry which he had
acquired at the Ecole Normale, and had never since been able to shake
off. All his herculean efforts to be sceptical and frivolous, and the
twenty years he had spent in Paris mingling with every section of
society, had failed to rid him of it. /Magister/ he was, and /magister/
he remained, even in his most strenuous flights of imagination and
audacity. From the moment of his arrival he tried to show himself
enraptured with Silviane. Naturally enough, he already knew her by sight,
and had even criticised her on one occasion in five or six contemptuous
lines. However, the sight of her there, in full beauty, clad like a
queen, and presented by four influential protectors, filled him with
emotion; and he was struck with the idea that nothing would be more
Parisian and less pedantic than to assert she had some talent and give
her his support.

They had seated themselves at table, and the repast proved a magnificent
one, the service ever prompt and assiduous, an attendant being allotted
to each diner. While the flowers scattered their perfumes through the
room, and the plate and crystal glittered on the snowy cloth, an
abundance of delicious and unexpected dishes were handed round--a
sturgeon from Russia, prohibited game, truffles as big as eggs, and
hothouse vegetables and fruit as full of flavour as if they had been
naturally matured. It was money flung out of window, simply for the
pleasure of wasting more than other people, and eating what they could
not procure. The influential critic, though he displayed the ease of a
man accustomed to every sort of festivity, really felt astonished at it
all, and became servile, promising his support, and pledging himself far
more than he really wished to. Moreover, he showed himself very gay,
found some witty remarks to repeat, and even some rather ribald jests.
But when the champagne appeared after the roast and the grand burgundies,
his over-excitement brought him back perforce to his real nature. The
conversation had now turned on Corneille's "Polyeucte" and the part of
"Pauline," in which Silviane wished to make her /debut/ at the Comedie
Francaise. This extraordinary caprice, which had quite revolted the
influential critic a week previously, now seemed to him simply a bold
enterprise in which the young woman might even prove victorious if she
consented to listen to his advice. And, once started, he delivered quite
a lecture on the past, asserting that no actress had ever yet understood
it properly, for at the outset Pauline was simply a well-meaning little
creature of the middle classes, and the beauty of her conversion at the
finish arose from the working of a miracle, a stroke of heavenly grace
which endowed her with something divine. This was not the opinion of
Silviane, who from the first lines regarded Pauline as the ideal heroine
of some symbolical legend. However, as the critic talked on and on, she
had to feign approval; and he was delighted at finding her so beautiful
and docile beneath his ferule. At last, as ten o'clock was striking, he
rose and tore out of the hot and reeking room in order to do his work.

"Ah! my dears," cried Silviane, "he's a nice bore is that critic of
yours! What a fool he is with his idea of Pauline being a little
/bourgeoise/! I would have given him a fine dressing if it weren't for
the fact that I have some need of him. Ah! no, it's too idiotic! Pour me
out a glass of champagne. I want something to set me right after all
that!"

The /fete/ then took quite an intimate turn between the four men who
remained and that bare-armed, bare-breasted girl, covered with diamonds;
while from the neighbouring passages and rooms came bursts of laughter
and sounds of kissing, all the stir and mirth of the debauchery now
filling the house. And beneath the windows torrents of vehicles and
pedestrians streamed along the Boulevards where reigned the wild fever of
pleasure and harlotry.

"No, don't open it, or I shall catch cold!" resumed Silviane, addressing
Fonsegue as he stepped towards the window. "Are you so very warm, then?
I'm just comfortable. . . . But, Duvillard, my good fellow, please order
some more champagne. It's wonderful what a thirst your critic has given
me!"

Amidst the blinding glare of the lamps and the perfume of the flowers and
wines, one almost stifled in the room. And Silviane was seized with an
irresistible desire for a spree, a desire to tipple and amuse herself in
some vulgar fashion, as in her bygone days. A few glasses of champagne
brought her to full pitch, and she showed the boldest and giddiest
gaiety. The others, who had never before seen her so lively, began on
their own side to feel amused. As Fonsegue was obliged to go to his
office she embraced him "like a daughter," as she expressed it. However,
on remaining alone with the others she indulged in great freedom of
speech, which became more and more marked as her intoxication increased.
And to the class of men with whom she consorted her great attraction, as
she was well aware, lay in the circumstance that with her virginal
countenance and her air of ideal purity was coupled the most monstrous
perversity ever displayed by any shameless woman. Despite her innocent
blue eyes and lily-like candour, she would give rein, particularly when
she was drunk, to the most diabolical of fancies.

Duvillard let her drink on, but she guessed his thoughts, like she
guessed those of the others, and simply smiled while concocting
impossible stories and descanting fantastically in the language of the
gutter. And seeing her there in her dazzling gown fit for a queenly
virgin, and hearing her pour forth the vilest words, they thought her
most wonderfully droll. However, when she had drunk as much champagne as
she cared for and was half crazy, a novel idea suddenly occurred to her.

"I say, my children," she exclaimed, "we are surely not going to stop
here. It's so precious slow! You shall take me to the Chamber of
Horrors--eh? just to finish the evening. I want to hear Legras sing 'La
Chemise,' that song which all Paris is running to hear him sing."

But Duvillard indignantly rebelled: "Oh! no," said he; "most certainly
not. It's a vile song and I'll never take you to such an abominable
place."

But she did not appear to hear him. She had already staggered to her feet
and was arranging her hair before a looking-glass. "I used to live at
Montmartre," she said, "and it'll amuse me to go back there. And,
besides, I want to know if this Legras is a Legras that I knew, oh! ever
so long ago! Come, up you get, and let us be off!"

"But, my dear girl," pleaded Duvillard, "we can't take you into that den
dressed as you are! Just fancy your entering that place in a low-necked
gown and covered with diamonds! Why everyone would jeer at us! Come,
Gerard, just tell her to be a little reasonable."

Gerard, equally offended by the idea of such a freak, was quite willing
to intervene. But she closed his mouth with her gloved hand and repeated
with the gay obstinacy of intoxication: "Pooh, it will be all the more
amusing if they do jeer at us! Come, let us be off, let us be off,
quick!"

Thereupon Duthil, who had been listening with a smile and the air of a
man of pleasure whom nothing astonishes or displeases, gallantly took her
part. "But, my dear Baron, everybody goes to the Chamber of Horrors,"
said he. "Why, I myself have taken the noblest ladies there, and
precisely to hear that song of Legras, which is no worse than anything
else."

"Ah! you hear what Duthil says!" cried Silviane. "He's a deputy, he is,
and he wouldn't go there if he thought it would compromise his
honorability!"

Then, as Duvillard still struggled on in despair at the idea of
exhibiting himself with her in such a scandalous place, she became all
the merrier: "Well, my dear fellow, please yourself. I don't need you.
You and Gerard can go home if you like. But I'm going to Montmartre with
Duthil. You'll take charge of me, won't you, Duthil, eh?"

Still, the Baron was in no wise disposed to let the evening finish in
that fashion. The mere idea of it gave him a shock, and he had to resign
himself to the girl's stubborn caprice. The only consolation he could
think of was to secure Gerard's presence, for the young man, with some
lingering sense of decorum, still obstinately refused to make one of the
party. So the Baron took his hands and detained him, repeating in urgent
tones that he begged him to come as an essential mark of friendship. And
at last the wife's lover and daughter's suitor had to give way to the man
who was the former's husband and the latter's father.

Silviane was immensely amused by it all, and, indiscreetly thee-ing and
thou-ing Gerard, suggested that he at least owed the Baron some little
compliance with his wishes.

Duvillard pretended not to hear her. He was listening to Duthil, who told
him that there was a sort of box in a corner of the Chamber of Horrors,
in which one could in some measure conceal oneself. And then, as
Silviane's carriage--a large closed landau, whose coachman, a sturdy,
handsome fellow, sat waiting impassively on his box--was down below, they
started off.

The Chamber of Horrors was installed in premises on the Boulevard de
Rochechouart, formerly occupied by a cafe whose proprietor had become
bankrupt.* It was a suffocating place, narrow, irregular, with all sorts
of twists, turns, and secluded nooks, and a low and smoky ceiling. And
nothing could have been more rudimentary than its decorations. The walls
had simply been placarded with posters of violent hues, some of the
crudest character, showing the barest of female figures. Behind a piano
at one end there was a little platform reached by a curtained doorway.
For the rest, one simply found a number of bare wooden forms set
alongside the veriest pot-house tables, on which the glasses containing
various beverages left round and sticky marks. There was no luxury, no
artistic feature, no cleanliness even. Globeless gas burners flared
freely, heating a dense mist compounded of tobacco smoke and human
breath. Perspiring, apoplectical faces could be perceived through this
veil, and an acrid odour increased the intoxication of the assembly,
which excited itself with louder and louder shouts at each fresh song. It
had been sufficient for an enterprising fellow to set up these boards,
bring out Legras, accompanied by two or three girls, make him sing his
frantic and abominable songs, and in two or three evenings overwhelming
success had come, all Paris being enticed and flocking to the place,
which for ten years or so had failed to pay as a mere cafe, where by way
of amusement petty cits had been simply allowed their daily games at
dominoes.

* Those who know Paris will identify the site selected by M. Zola
as that where 'Colonel' Lisbonne of the Commune installed his
den the 'Bagne' some years ago. Nevertheless, such places as the
'Chamber of Horrors' now abound in the neighbourhood of
Montmartre, and it must be admitted that whilst they are
frequented by certain classes of Frenchmen they owe much of
their success in a pecuniary sense to the patronage of
foreigners. Among the latter, Englishmen are particularly
conspicuous.--Trans.

And the change had been caused by the passion for filth, the irresistible
attraction exercised by all that brought opprobrium and disgust. The
Paris of enjoyment, the /bourgeoisie/ which held all wealth and power,
which would relinquish naught of either, though it was surfeited and
gradually wearying of both, simply hastened to the place in order that
obscenity and insult might be flung in its face. Hypnotised, as it were,
while staggering to its fall, it felt a need of being spat upon. And what
a frightful symptom there lay in it all: those condemned ones rushing
upon dirt of their own accord, voluntarily hastening their own
decomposition by that unquenchable thirst for the vile, which attracted
men, reputed to be grave and upright, and lovely women of the most
perfect grace and luxury, to all the beastliness of that low den!

At one of the tables nearest the stage sat little Princess Rosemonde de
Harn, with wild eyes and quivering nostrils, delighted as she felt at now
being able to satisfy her curiosity regarding the depths of Paris life.
Young Hyacinthe had resigned himself to the task of bringing her, and,
correctly buttoned up in his long frock-coat, he was indulgent enough to
refrain from any marked expression of boredom. At a neighbouring table
they had found a shadowy Spaniard of their acquaintance, a so-called
Bourse jobber, Bergaz, who had been introduced to the Princess by Janzen,
and usually attended her entertainments. They virtually knew nothing
about him, not even if he really earned at the Bourse all the money which
he sometimes spent so lavishly, and which enabled him to dress with
affected elegance. His slim, lofty figure was not without a certain air
of distinction, but his red lips spoke of strong passions and his bright
eyes were those of a beast of prey. That evening he had two young fellows
with him, one Rossi, a short, swarthy Italian, who had come to Paris as a
painter's model, and had soon glided into the lazy life of certain
disreputable callings, and the other, Sanfaute, a born Parisian
blackguard, a pale, beardless, vicious and impudent stripling of La
Chapelle, whose long curly hair fell down upon either side of his bony
cheeks.

"Oh! pray now!" feverishly said Rosemonde to Bergaz; "as you seem to know
all these horrid people, just show me some of the celebrities. Aren't
there some thieves and murderers among them?"

He laughed shrilly, and in a bantering way replied: "But you know these
people well enough, madame. That pretty, pink, delicate-looking woman
over yonder is an American lady, the wife of a consul, whom, I believe,
you receive at your house. That other on the right, that tall brunette
who shows such queenly dignity, is a Countess, whose carriage passes
yours every day in the Bois. And the thin one yonder, whose eyes glitter
like those of a she-wolf, is the particular friend of a high official,
who is well known for his reputation of austerity."

But she stopped him, in vexation: "I know, I know. But the others, those
of the lower classes, those whom one comes to see."

Then she went on asking questions, and seeking for terrifying and
mysterious countenances. At last, two men seated in a corner ended by
attracting her attention; one of them a very young fellow with a pale,
pinched face, and the other an ageless individual who, besides being
buttoned up to his neck in an old coat, had pulled his cap so low over
his eyes, that one saw little of his face beyond the beard which fringed
it. Before these two stood a couple of mugs of beer, which they drank
slowly and in silence.

"You are making a great mistake, my dear," said Hyacinthe with a frank
laugh, "if you are looking for brigands in disguise. That poor fellow
with the pale face, who surely doesn't have food to eat every day, was my
schoolfellow at Condorcet!"

Bergaz expressed his amazement. "What! you knew Mathis at Condorcet!
After all, though, you're right, he received a college education. Ah! and
so you knew him. A very remarkable young man he is, though want is
throttling him. But, I say, the other one, his companion, you don't know
him?"

Hyacinthe, after looking at the man with the cap-hidden face, was already
shaking his head, when Bergaz suddenly gave him a nudge as a signal to
keep quiet, and by way of explanation he muttered: "Hush! Here's
Raphanel. I've been distrusting him for some time past. Whenever he
appears anywhere, the police is not far off."

Raphanel was another of the vague, mysterious Anarchists whom Janzen had
presented to the Princess by way of satisfying her momentary passion for
revolutionism. This one, though he was a fat, gay, little man, with a
doll-like face and childish nose, which almost disappeared between his
puffy cheeks, had the reputation of being a thorough desperado; and at
public meetings he certainly shouted for fire and murder with all his
lungs. Still, although he had already been compromised in various
affairs, he had invariably managed to save his own bacon, whilst his
companions were kept under lock and key; and this they were now beginning
to think somewhat singular.