Books: Gerfaut, v3
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Charles de Bernard >> Gerfaut, v3
It may be that Clemence had no great desire that her aunt should awaken;
perhaps she wished to avoid a conversation; perhaps she wished to enjoy
in silence the happiness of feeling that she was still loved, for since
he had seated himself beside her Octave's slightest action had become a
renewed avowal. Madame de Bergenheim began to play the Duke of
Reichstadt's Waltz, striking only the first measure of the accompaniment,
in order to show her lover where to put his fingers.
The waltz went on. Clemence played the air and Octave the bass, two of
their hands remaining unoccupied--those that were close to each other.
Now, what could two idle hands do, when one belonged to a man deeply in
love, the other to a young woman who for some time had ill-treated her
lover and exhausted her severity? Before the end of the first part, the
long unoccupied, tapering fingers of the treble were imprisoned by those
of the bass, without the least disturbance in the musical effect--and the
old aunt slept on!
A moment later, Octave's lips were fastened upon this rather trembling
hand, as if he wished to imbibe, to the very depths of his soul, the
soft, perfumed tissue. Twice the Baroness tried to disengage herself,
twice her strength failed her. It was beginning to be time for the aunt
to awaken, but she slept more soundly than ever; and if a slight
indecision was to be noticed in the upper hand, the lower notes were
struck with an energy capable of metamorphosing Mademoiselle de
Corandeuil into a second Sleeping Beauty.
When Octave had softly caressed this hand for a long time, he raised his
head in order to obtain a new favor. This time Madame de Bergenheim did
not turn away her eyes, but, after looking at Octave for an instant, she
said to him in a coquettish, seductive way:
"Aline?"
The mute glance which replied to this question was such an eloquent
denial that all words were superfluous. His sweet, knowing smile
betrayed the secret of his duplicity; he was understood and forgiven.
There was at this moment no longer any doubt, fear, or struggle between
them. They did not feel the necessity of any explanation as to the
mutual suffering they had undergone; the suffering no longer existed.
They were silent for some time, happy to look at each other, to be
together and alone-for the old aunt still slept. Not a sound was to be
heard; one would have said that sleep had overcome the two lovers also.
Suddenly the charm was broken by a terrible noise, like a trumpet calling
the guilty ones to repentance.
CHAPTER XVII
A RUDE INTERRUPTION
Had a cannon-ball struck the two lovers in the midst of their ecstasy it
would have been less cruel than the sensation caused by this horrible
noise. Clemence trembled and fell back in her chair, frozen with horror.
Gerfaut rose, almost as frightened as she; Mademoiselle de Corandeuil,
aroused from her sleep, sat up in her chair as suddenly as a Jack-in-a-
box that jumps in one's face when a spring is touched. As to Constance,
she darted under her mistress's chair, uttering the most piteous howls.
One of the folding-doors opposite the window opened; the bell of a
hunting-horn appeared in the opening, blown at full blast and waking the
echoes in the drawing-room. The curtain of the drama had risen upon a
parody, a second incident had changed the pantomime and sentiments of the
performers. The old lady fell back in her chair and stopped up her ears
with her fingers, as she stamped upon the floor; but it was in vain for
her to try to speak, her words were drowned by the racket made by this
terrible instrument. Clemence also stopped her ears. After running in
her terror, under every chair in the room, Constance, half wild, darted,
in a fit of despair, through the partly opened door. Gerfaut finally
began to laugh heartily as if he thought it all great fun, for M. de
Bergenheim's purple face took the place of the trumpet and his hearty
laugh rang out almost as noisily.
"Ah! ha! you did not expect that kind of accompaniment," said the Baron,
when his gayety had calmed a little; "this is the article that you were
obliged to write for the Revue de Paris, is it? Do you think that I am
going to leave you to sing Italian duets with Madame while I am scouring
the woods? You must take me for a very careless husband, Vicomte. Now,
then, right about face! March! Do me the kindness to take a gun. We
are going to shoot a few hares in the Corne woods before supper."
"Monsieur de Bergenheim," exclaimed the old lady, when her emotion would
allow her to speak, "this is indecorous--vulgar--the conduct of a common
soldier--of a cannibal! My head is split open; I am sure to have an
awful neuralgia in a quarter of an hour. It is the conduct of a
herdsman."
"Do not think of your neuralgia, my dear aunt," replied Christian, whose
good-humor seemed aroused by the day's sport; "you are as fresh as a
rosebud--and Constance shall have some hares' heads roasted for her
supper."
At this moment a second uproar was heard in the courtyard; a horn was
evidently being played by an amateur, accompanied by the confused yelps
and barks of a numerous pack of hounds; the whole was mingled with shouts
of laughter, the cracking of whips, and clamors of all kinds. In the
midst of this racket, a cry, more piercing than the others, rang out, a
cry of agony and despair.
"Constance!" exclaimed Mademoiselle de Corandeuil, in a falsetto voice
full of terror; she rushed to one of the windows and all followed her.
The spectacle in the courtyard was as noisy as it was picturesque.
Marillac, seated upon a bench, was blowing upon a trumpet, trying to play
the waltz from Robert-le-Diable in a true infernal manner. At his feet
were seven or eight hunters and as many servants encouraging him by their
shouts. The Baron's pack of hounds, of great renown in the country, was
composed of about forty dogs, all branded upon their right thighs with
the Bergenheim coat-of-arms. From time immemorial, the chateau's dogs
had been branded thus with their master's crest, and Christian, who was a
great stickler for old customs, had taken care not to drop this one.
This feudal sign had probably acted upon the morals of the pack, for it
was impossible to find, within twenty leagues, a collection of more
snarly terriers, dissolute hounds, ugly bloodhounds, or more quarrelsome
greyhounds. They were perfect hunters, but it seemed as if, on account
of their being dogs of quality, all vices were permitted them.
In the midst of this horde, without respect for law or order, the
unfortunate Constance had found herself after crossing the ante-chamber,
vestibule, and outside steps, still pursued by the sounds from
Christian's huge horn. An honest merchant surprised at the turn of the
road by a band of robbers would not have been greeted any better than the
poodle was at the moment she darted into the yard. It may have been that
the quarrel between the Bergenheims and Corandeuils had reached the
canine species; it may have been at the instigation of the footmen, who
all cordially detested the beast--the sad fact remains that she was
pounced upon in a moment as if she were a deer, snatched, turned topsy-
turvy, rolled, kicked about, and bitten by the forty four-legged
brigands, who each seemed determined to carry away as a trophy some
portion of her cafe-au-lait colored blanket.
The person who took the most delight in this deplorable spectacle was
Pere Rousselet. He actually clapped his hands together behind his back,
spread his legs apart in the attitude of the Colossus of Rhodes, while
his coat-skirts almost touched the ground, giving him the look of a
kangaroo resting his paws under his tail. From his large cockatoo mouth
escaped provoking hisses, which encouraged the assassins in their crime
as much as did Marillac's racket.
"Constance!" exclaimed Mademoiselle de Corandeuil a second time, frozen
with horror at the sight of her poodle lying upon its back among its
enemies.
This call produced no effect upon the animal section of the actors in
this scene, but it caused a sudden change among the servants and a few of
the hunters; the shouts of encouragement ceased at once; several of the
participants prudently tried to efface themselves; as to Rousselet, more
politic than the others, he boldly darted into the melee and picked up
the fainting puppy in his arms, carrying her as tenderly as a mother
would an infant, without troubling himself whether or not he was leaving
part of his coat-tails with the savage hounds.
When the old lady saw the object of her love placed at her feet covered
with mud, sprinkled with blood, and uttering stifled groans, which she
took for the death-rattle, she fell back in her chair speechless.
"Let us go," said Bergenheim in a low voice, taking his guest by the arm.
Gerfaut threw a glance around him and sought Clemence's eyes, but he did
not find them. Without troubling herself as to her aunt's despair,
Clemence had hurried to her room; for she felt the necessity of solitude
in order to calm her emotions, or perhaps to live them over a second
time. Octave resigned himself to following his companion. At the end of
a few moments, the barking of the dogs, the joking of the hunters, even
the wind in the trees and the rustling leaves, had bored Octave to such
an extent that, in spite of himself, his face betrayed him.
"What a doleful face you have!" exclaimed his host, laughingly. "I am
sorry that I took you away from Madame de Bergenheim; it seems that you
decidedly prefer her society to ours."
"Would you be very jealous if I were to admit the fact?" replied Octave,
making an effort to assume the same laughing tone as the Baron.
"Jealous! No, upon my honor! However, you are well constituted to give
umbrage to a poor husband.
But jealousy is not one of my traits of character, nor among my
principles."
"You are philosophical!" said the lover, with a forced smile.
"My philosophy is very simple. I respect my wife too much to suspect
her, and I love her too much to annoy her in advance with an imaginary
trouble. If this trouble should come, and I were sure of it, it would be
time enough to worry myself about it. Besides, it would be an affair
soon settled."
"What affair?" asked Marillac, slackening his pace in order to join in
the conversation.
"A foolish affair, my friend, which does not concern you, Monsieur de
Gerfaut, nor myself any longer, I hope; although I belong to the class
exposed to danger. We were speaking of conjugal troubles."
The artist threw a glance at his friend which signified: "What the deuce
made you take it into your head to start up this hare?"
"There are many things to be said on this subject," said he, in a
sententious tone, thinking that his intervention might be useful in
getting his friend out of the awkward position in which he found himself,
"an infinite number of things may be said; books without number have been
written upon this subject. Every one has his own system and plan of
conduct as to the way of looking at and acting upon it."
"And what would be yours, you consummate villain?" asked Christian;
"would you be as cruel a husband as you are an immoral bachelor? That
usually happens; the bolder a poacher one has been, the more intractable
a gamekeeper one becomes. What would be your system?"
"Hum! hum! you are mistaken, Bergenheim; my boyish love adventures have
disposed me to indulgence. 'Debilis caro', you know! Shakespeare has
translated it, 'Frailty, thy name is woman!'"
"I am a little rusty in my; Latin and I never knew a word of English.
What does that mean?"
"Upon my word, it means, if I were married and my wife deceived me, I
should resign myself to it like a gentleman, considering the fragility of
this enchanting sex."
"Mere boy's talk, my friend! And you, Gerfaut?"
"I must admit," replied the latter, a little embarrassed, "that I have
never given the subject very much thought. However, I believe in the
virtue of women."
"That is all very well, but in case of misfortune what would you do?"
"I think I should say with Lanoue: 'Sensation is for the fop, complaints
for the fool, an honest man who is deceived goes away and says nothing.'"
"I partly agree with Lanoue; only I should make a little variation--
instead of goes away should say avenges himself."
Marillac threw at his friend a second glance full of meaning.
"Per Bacco!" said he, "are you a Venetian or a Castilian husband?"
"Eh!" replied Bergenheim, "I suppose that without being either, I should
kill my wife, the other man, and then myself, without even crying,
'Beware!' Here! Brichou! pay attention; Tambeau is separated from the
rest."
As he said these words the Baron leaped over a broad ditch, which divided
the road from the clearing which the hunters had already entered.
"What do you say to that?" murmured the artist, in a rather dramatic
tone, in his friend's ear.
Instead of replying, the lover made a gesture which signified, according
to all appearance: "I do not care."
The clearing they must cross in order to reach the woods formed a large,
square field upon an inclined plane which sloped to the river side. Just
as Marillac in his turn was jumping the ditch, his friend saw, at the
extremity of the clearing, Madame de Bergenheim walking slowly in the
avenue of sycamores. A moment later, she had disappeared behind a mass
of trees without the other men noticing her.
"Take care that you do not slip," said the artist, "the ground is wet."
This warning brought misfortune to Gerfaut, who in jumping caught his
foot in the root of a tree and fell.
"Are you hurt?" asked Bergenheim.
Octave arose and tried to walk, but was obliged to lean upon his gun.
"I think I have twisted my foot," said he, and he carried his hand to it
as if he felt a sharp pain there.
"The devil! it may be a sprain," observed the Baron, coming toward them;
"sit down. Do you think you will be able to walk?"
"Yes, but I fear hunting would be too much for me; I will return to the
house."
"Do you wish us to make a litter and carry you?"
"You are laughing at me; it's not so bad as that. I will walk back
slowly, and will take a foot-bath in my room."
"Lean upon me, then, and I will help you," said the artist, offering his
arm.
"Thanks; I do not need you," Octave replied; "go to the devil!" he
continued, in an expressive aside.
"Capisco!" Marillac replied, in the same tone, giving his arm an
expressive pressure. "Excuse me," said he aloud, "I am not willing that
you should go alone. I will be your Antigone--
Antigone me reste, Antigone est and fille.
"Bergenheim, I will take charge of him. Go on with your hunting, the
gentlemen are waiting for you. We will meet again at supper; around the
table; legs are articles of luxury and sprains a delusion, provided that
the throat and stomach are properly treated."
The Baron looked first at his guests, then at the group that had just
reached the top of the clearing. For an instant Christian charity
struggled against love of hunting, then the latter triumphed. As he saw
that Octave, although limping slightly, was already in a condition to
walk, especially with the aid of his friend's arm, he said:
"Do not forget to put your foot in water, and send for Rousselet; he
understands all about sprains."
This advice having eased his conscience, he joined his companions, while
the two friends slowly took the road back to the chateau, Octave resting
one hand upon the artist's arm and the other upon his gun.
"The bourgeois is outwitted!" said Marillac with a stifled laugh, as
soon as he was sure that Bergenheim could not hear him. "Upon my word,
these soldiers have a primitive, baptismal candor! It is not so with us
artists; they could not bamboozle us in this way. Your strain is an old
story; it is taken from the 'Mariage de raison', first act, second
scene."
"You will do me the favor to leave me as soon as we reach the woods,"
said Gerfaut, as he continued to limp with a grace which would have made
Lord Byron envious; "you may go straight ahead, or you may turn to the
left, as you choose; the right is forbidden you."
"Very well. Hearts are trumps, it seems, and, for the time being, you
agree with Sganarelle, who places the heart on the right side."
"Do not return to the chateau, as it is understood that we are together.
If you rejoin the hunting-party, say to Bergenheim that you left me
seated at the foot of a tree and that the pain in my foot had almost
entirely gone. You would have done better not to accompany me, as I
tried to make you understand."
"I had reasons of my own for wishing to get out of Christian's crowd.
To-day is Monday, and I have an appointment at four o'clock which
interests you more than me. Now, will you listen to a little advice?"
"Listen, yes; follow it, not so sure."
"O race of lovers!" exclaimed the artist, in a sort of transport,
"foolish, absurd, wicked, impious, and sacrilegious kind!"
"What of it?"
"What of it? I tell you this will all end with swords for two."
"Bah!"
"Do you know that this rabid Bergenheim, with his round face and good-
natured smile, killed three or four men while he was in the service, on
account of a game of billiards or some such trivial matter?"
"Requiescat in pace."
"Take care that he does not cause the 'De Profundis' to be sung for you.
He was called the best swords man at Saint-Cyr: he has the devil of a
lunge. As to pistol-shooting, I have seen him break nine plaster images
at Lepage's one after another."
"Very well, if I have an engagement with him, we will fight it out with
arsenic."
"By Jove, joking is out of place. I tell you that he is sure to discover
something, and then your business will soon be settled; he will kill you
as if you were one of the hares he is hunting this moment."
"You might find a less humiliating comparison for me," replied Gerfaut,
with an indifferent smile; "however, you exaggerate. I have always
noticed that these bullies with mysterious threats of their own and these
slaughterers of plaster images were not such very dangerous fellows to
meet. This is not disputing Bergenheim's bravery, for I believe it to be
solid and genuine."
"I tell you, he is a regular lion! After all, you will admit that it is
sheer folly to come and attack him in his cage and pull his whiskers
through the bars. And that is what you are doing. To be in love with
his wife and pay court to her in Paris, when he is a hundred leagues from
you, is all very well, but to install yourself in his house, within reach
of his clutches! that is not love, it is sheer madness. This is nothing
to laugh at. I am sure that this will end in some horrible tragedy. You
heard him speak of killing his wife and her lover just now, as if it were
a very slight matter. Very. well; I know him; he will do as he says
without flinching. These ruddy-faced people are very devils, if you
meddle with their family affairs! He is capable of murdering you in some
corner of his park, and of burying you at the foot of some tree and then
of forcing Madame de Bergenheim to eat your heart fricasseed in
champagne, as they say Raoul de Coucy did."
"You will admit, at least, that it would be a very charming repast, and
that there would be nothing bourgeois about it."
"Certainly, I boast of detesting the bourgeois; I am celebrated for that;
but I should much prefer to die in a worsted nightcap, flannel underwear,
and cotton night-shirt, than to have Bergenheim assist me, too brusquely,
in this little operation. He is such an out-and-out Goliath! Just look
at him!"
And the artist forced his friend to turn about, and pointed at Christian,
who stood with the other hunters upon the brow of the hill, a few steps
from the spot where they had left him. The Baron was indeed a worthy
representative of the feudal ages, when physical strength was the only
incontestable superiority. In spite of the distance, they could hear his
clear, ringing voice although they could not distinguish his words.
"He really has a look of the times of the Round Table," said Gerfaut;
"five or six hundred years ago it would not have been very agreeable to
find one's self face to face with him in a tournament; and if to-day, as
in those times, feminine hearts were won by feats with double-edged
swords, I admit that my chances would not be very good. Fortunately, we
are emancipated from animal vigor; it is out, of fashion."
"Out of fashion, if you like; meanwhile, he will kill you."
"You do not understand the charms of danger nor the attractions that
difficulties give to pleasure. I have studied Christian thoroughly since
I have been here, and I know him as well as if I had passed my life with
him. I am also sure that, at the very first revelation, he will kill me
if he can, and I take a strange interest in knowing that I risk my life
thus. Here we are in the woods," said Gerfaut, as he dropped the
artist's arm and ceased limping; "they can no longer see us; the farce is
played out. You know what I told you to say if you join them: you left
me at the foot of a tree. You are forbidden to approach the sycamores,
under penalty of receiving the shot from my gun in your moustache."
At these words he threw the gun which had served him as crutch over his
shoulder, and darted off in the direction of the river.
CHAPTER XVIII
ESPIONAGE
At the extremity of the sycamore walk, the shore formed a bluff like the
one upon which the chateau was built, but much more abrupt, and partly
wooded. In order to avoid this stretch, which was not passable for
carriages, the road leading into the principal part of the valley turned
to the right, and reached by an easier ascent a more level plateau.
There was only one narrow path by the river, which was shaded by branches
of beeches and willows that hung over this bank into the river. After
walking a short distance through this shady path, one found himself
before a huge triangular rock covered with moss, which nature had rolled
from the top of the mountain as if to close up the passage.
This obstacle was not insurmountable; but in order to cross it, one must
have a sure foot and steady head, for the least false step would
precipitate the unlucky one into the river, which was rapid as well as
deep. From the rock, one could reach the top of the cliff by means of
some natural stone steps, and then, descending on the other side, could
resume the path by the river, which had been momentarily interrupted. In
this case, one would reach, in about sixty steps, a place where the river
grew broader and the banks projected, forming here and there little
islands of sand covered with bushes. Here was a ford well known to
shepherds and to all persons who wished to avoid going as far as the
castle bridge.
Near the mossy rock of which we have spoken as being close to the
sycamore walk, at the foot of a wall against which it flowed, forming a
rather deep excavation, the current had found a vein of soft, brittle
stone which, by its incessant force, it had ended in wearing away. It
was a natural grotto formed by water, but which earth, in its turn, had
undertaken to embellish. An enormous willow had taken root in a few
inches of soil in a fissure of the rock, and its drooping branches fell
into the stream, which drifted them along without being able to detach
them.
Madame de Bergenheim was seated at the front of this grotto, upon a seat
formed by the base of the rock. She was tracing in the sand, with a
stick which she had picked up on the way, strange figures which she
carefully erased with her foot. Doubtless these hieroglyphics had some
meaning to her, and perhaps she feared lest the slightest marks might be
carelessly forgotten, as they would betray the secret they concealed.
Clemence was plunged into one of those ecstatic reveries which abolish
time and distance. The fibres of her heart, whose exquisite vibrating
had been so suddenly paralyzed by Christian's arrival, had resumed their
passionate thrills. She lived over again in her mind the tete-a-tete in
the drawing-room; she could hear the entrancing waltz again; she felt her
lover's breath in her hair; her hand trembled again under the pressure of
his kiss. When she awoke from this dream it was a reality; for Octave
was seated by her side without her having seen him arrive, and he had
taken up the scene at the piano just where it had been interrupted.
She was not afraid. Her mind had reached that state of exaltation which
renders imperceptible the transition from dreaming to reality. It seemed
to her that Octave had always been there, that it was his place, and for
a moment she no longer thought, but remained motionless in the arms which
embraced her. But soon her reason came back to her. She arose
trembling, and drew away a few steps, standing before her lover with
lowered head and face suffused with blushes.
"Why are you afraid of me? Do you not think me worthy of your love?"
he asked, in an altered voice, and, without trying to retain or approach
her, he fell upon his knees with a movement of sweet, sad grace.