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PHILADELPHIA, Pa. -- The Philadelphia literary world will celebrate the launch of two new players today, April 10th: Kay Square Press, a new publishing company focused on Philadelphia-area artists, their stories, and their art; and Kay Square's first release, 'With the Rich and Mighty: Emlen Etting of Philadelphia' (ISBN: 978-0-9815129-0-7), a critical biography by Kenneth C. Kaleta.

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NEW YORK, N.Y. -- Nathan Yungerberg, an accomplished model scout and professional child photographer is launching a nation-wide casting call to find the cover model for his highly anticipated book release, 'The Model Child: A Parents Guide to the Child Modeling Industry' (ISBN: 978-0-9817018-0-6).


Books: The Red Lily, v2

A >> Anatole France >> The Red Lily, v2

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Vivian Bell walked, arrayed in white, in the fragrant garden.

"You see, darling, Florence is truly the city of flowers, and it is not
inappropriate that she should have a red lily for her emblem. It is a
festival to-day, darling."

"A festival, to-day?"

"Darling, do you not know this is the first day of May? You did not wake
this morning in a charming fairy spectacle? Do you not celebrate the
Festival of Flowers? Do you not feel joyful, you who love flowers? For
you love them, my love, I know it: you are very good to them. You said
to me that they feel joy and pain; that they suffer as we do."

"Ah! I said that they suffer as we do?"

"Yes, you said it. It is their festival to-day. We must celebrate it
with the rites consecrated by old painters."

Therese heard without understanding. She was crumpling under her glove
a letter which she had just received, bearing the Italian postage-stamp,
and containing only these two lines:

"I am staying at the Great Britain Hotel, Lungarno Acciaoli. I shall
expect you to-morrow morning. No. 18."

"Darling, do you not know it is the custom of Florence to celebrate
spring on the first day of May every year? Then you did not understand
the meaning of Botticelli's picture consecrated to the Festival of
Flowers. Formerly, darling, on the first day of May the entire city gave
itself up to joy. Young girls, crowned with sweetbrier and other
flowers, made a long cortege through the Corso, under arches, and sang
choruses on the new grass. We shall do as they did. We shall dance in
the garden."

"Ah, we shall dance in the garden?"

"Yes, darling; and I will teach you Tuscan steps of the fifteenth century
which have been found in a manuscript by Mr. Morrison, the oldest
librarian in London. Come back soon, my love; we shall put on flower
hats and dance."

"Yes, dear, we shall dance," said Therese.

And opening the gate, she ran through the little pathway that hid its
stones under rose-bushes. She threw herself into the first carriage she
found. The coachman wore forget-me-nots on his hat and on the handle of
his whip:

"Great Britain Hotel, Lungarno Acciaoli."

She knew where that was, Lungarno Acciaoli. She had gone there at
sunset, and she had seen the rays of the sun on the agitated surface of
the river. Then night had come, the murmur of the waters in the silence,
the words and the looks that had troubled her, the first kiss of her
lover, the beginning of incomparable love. Oh, yes, she recalled
Lungarno Acciaoli and the river-side beyond the old bridge--Great Britain
Hotel--she knew: a big stone facade on the quay. It was fortunate, since
he would come, that he had gone there. He might as easily have gone to
the Hotel de la Ville, where Dechartre was. It was fortunate they were
not side by side in the same corridor. Lungarno Acciaoli! The dead body
which they had seen pass was at peace somewhere in the little flowery
cemetery.

"Number 18."

It was a bare hotel room, with a stove in the Italian fashion, a set of
brushes displayed on the table, and a time-table. Not a book, not a
journal. He was there; she saw suffering on his bony face, a look of
fever. This produced on her a sad impression. He waited a moment for a
word, a gesture; but she dared do nothing. He offered a chair. She
refused it and remained standing.

"Therese, something has happened of which I do not know. Speak."

After a moment of silence, she replied, with painful slowness:

"My friend, when I was in Paris, why did you go away from me?"

By the sadness of her accent he believed, he wished to believe, in the
expression of an affectionate reproach. His face colored. He replied,
ardently:

"Ah, if I could have foreseen! That hunting party--I cared little for
it, as you may think! But you--your letter, that of the twenty-seventh"
--he had a gift for dates--"has thrown me into a horrible anxiety.
Something has happened. Tell me everything."

"My friend, I believed you had ceased to love me."

"But now that you know the contrary?"

"Now--"

She paused, her arms fell before her and her hands were joined.

Then, with affected tranquillity, she continued:

"Well, my friend, we took each other without knowing. One never knows.
You are young; younger than I, since we are of the same age. You have,
doubtless, projects for the future."

He looked at her proudly. She continued:

"Your family, your mother, your aunts, your uncle the General, have
projects for you. That is natural. I might have become an obstacle.
It is better that I should disappear from your life. We shall keep a
fond remembrance of each other."

She extended her gloved hand. He folded his arms:

"Then, you do not want me? You have made me happy, as no other man ever
was, and you think now to brush me aside? Truly, you seem to think you
have finished with me. What have you come to say to me? That it was a
liaison, which is easily broken? That people take each other, quit each
other--well, no! You are not a person whom one can easily quit."

"Yes," said Therese, "you had perhaps given me more of your heart than
one does ordinarily in such 180 cases. I was more than an amusement for
you. But, if I am not the woman you thought I was, if I have deceived
you, if I am frivolous--you know people have said so--well, if I have not
been to you what I should have been--"

She hesitated, and continued in a brave tone, contrasting with what she
said:

"If, while I was yours, I have been led astray; if I have been curious;
if I say to you that I was not made for serious sentiment--"

He interrupted her:

"You are not telling the truth."

"No, I am not telling the truth. And I do not know how to lie. I wished
to spoil our past. I was wrong. It was--you know what it was. But--"

"But?"

"I have always told you I was not sure of myself. There are women, it is
said, who are sure of themselves. I warned you that I was not like
them."

He shook his head violently, like an irritated animal.

"What do you mean? I do not understand. I understand nothing. Speak
clearly. There is something between us. I do not know what. I demand
to know what it is. What is it?"

"There is the fact that I am not a woman sure of herself, and that you
should not rely on me. No, you should not rely on me. I had promised
nothing--and then, if I had promised, what are words?"

"You do not love me. Oh, you love me no more! I can see it. But it is
so much the worse for you! I love you. You should not have given
yourself to me. Do not think that you can take yourself back. I love
you and I shall keep you. So you thought you could get out of it very
quietly? Listen a moment. You have done everything to make me love you,
to attach me to you, to make it impossible for me to live without you.

"Six weeks ago you asked for nothing better. You were everything for me,
I was everything for you. And now you desire suddenly that I should know
you no longer; that you should be to me a stranger, a lady whom one meets
in society. Ah, you have a fine audacity! Have I dreamed? All the past
is a dream? I invented it all? Oh, there can be no doubt of it. You
loved me. I feel it still. Well, I have not changed. I am what I was;
you have nothing to complain of. I have not betrayed you for other
women. It isn't credit that I claim. I could not have done it. When
one has known you, one finds the prettiest women insipid. I never have
had the idea of deceiving you. I have always acted well toward you. Why
should you not love me? Answer! Speak! Say you love me still. Say it,
since it is true. Come, Therese, you will feel at once that you love as
you loved me formerly in the little nest where we were so happy. Come!"

He approached her ardently. She, her eyes full of fright, pushed him
away with a kind of horror.

He understood, stopped, and said:

"You have a lover."

She bent her head, then lifted it, grave and dumb.

Then he made a gesture as if to strike her, and at once recoiled in
shame. He lowered his eyes and was silent. His fingers to his lips,
and biting his nails, he saw that his hand had been pricked by a pin on
her waist, and bled. He threw himself in an armchair, drew his
handkerchief to wipe off the blood, and remained indifferent and without
thought.

She, with her back to the door, her face calm and pale, her look vague,
arranged her hat with instinctive care. At the noise, formerly
delicious, that the rustle of her skirts made, he started, looked at her,
and asked furiously:

"Who is he? I will know."

She did not move. She replied with soft firmness:

"I have told you all I can. Do not ask more; it would be useless."

He looked at her with a cruel expression which she had never seen before.

"Oh, do not tell me his name. It will not be difficult for me to find
it."

She said not a word, saddened for him, anxious for another, full of
anguish and fear, and yet without regret, without bitterness, because her
real soul was elsewhere.

He had a vague sensation of what passed in her mind. In his anger to see
her so sweet and so serene, to find her beautiful, and beautiful for
another, he felt a desire to kill her, and he shouted at her:

"Go!"

Then, weakened by this effort of hatred, which was not natural to him, he
buried his head in his hands and sobbed.

His pain touched her, gave her the hope of quieting him. She thought she
might perhaps console him for her loss. Amicably and comfortably she
seated herself beside him.

"My friend, blame me. I am to blame, but more to be pitied. Disdain me,
if you wish, if one can disdain an unfortunate creature who is the
plaything of life. In fine, judge me as you wish. But keep for me a
little friendship in your anger, a little bitter-sweet reminiscence,
something like those days of autumn when there is sunlight and strong
wind. That is what I deserve. Do not be harsh to the agreeable but
frivolous visitor who passed through your life. Bid good-by to me as to
a traveller who goes one knows not where, and who is sad. There is so
much sadness in separation! You were irritated against me a moment ago.
Oh, I do not reproach you for it. I only suffer for it. Reserve a
little sympathy for me. Who knows? The future is always unknown. It is
very gray and obscure before me. Let me say to myself that I have been
kind, simple, frank with you, and that you have not forgotten it. In
time you will understand, you will forgive; to-day have a little pity."

He was not listening to her words. He was appeased simply by the caress
of her voice, of which the tone was limpid and clear. He exclaimed:

"You do not love him. I am the one whom you love. Then--"

She hesitated:

"Ah, to say whom one loves or loves not is not an easy thing for a woman,
or at least for me. I do not know how other women do. But life is not
good to me. I am tossed to and fro by force of circumstances."

He looked at her calmly. An idea came to him. He had taken a
resolution; he forgave, he forgot, provided she returned to him at once.

"Therese, you do not love him. It was an error, a moment of
forgetfulness, a horrible and stupid thing that you did through weakness,
through surprise, perhaps in spite. Swear to me that you never will see
him again."

He took her arm:

"Swear to me!"

She said not a word, her teeth were set, her face was sombre. He
wrenched her wrist. She exclaimed:

"You hurt me!"

However, he followed his idea; he led her to the table, on which, near
the brushes, were an ink-stand, and several leaves of letter-paper
ornamented with a large blue vignette, representing the facade of the
hotel, with innumerable windows.

"Write what I am about to dictate to you. I will call somebody to take
the letter."

And as she resisted, he made her fall on her knees. Proud and
determined, she said:

"I can not, I will not."

"Why?"

"Because--do you wish to know?--because I love him."

Brusquely he released her. If he had had his revolver at hand, perhaps
he would have killed her. But almost at once his anger was dampened by
sadness; and now, desperate, he was the one who wished to die.

"Is what you say true? Is it possible?"

"How do I know? Can I say? Do I understand? Have I an idea,
a sentiment, about anything?"

With an effort she added:

"Am I at this moment aware of anything except my sadness and your
despair?"

"You love him, you love him! What is he, who is he, that you should love
him?"

His surprise made him stupid; he was in an abyss of astonishment. But
what she had said separated them. He dared not complain. He only
repeated:

"You love him, you love him! But what has he done to you, what has he
said, to make you love him? I know you. I have not told you every time
your ideas shocked me. I would wager he is not even a man in society.
And you believe he loves you? You believe it? Well, you are deceiving
yourself. He does not love you. You flatter him, simply. He will quit
you at the first opportunity. When he shall have compromised you, he
will abandon you. Next year people will say of you: 'She is not at all
exclusive.' I am sorry for your father; he is one of my friends, and
will know of your behavior. You can not expect to deceive him."

She listened, humiliated but consoled, thinking how she would have
suffered had she found him generous.

In his simplicity he sincerely disdained her. This disdain relieved him.

"How did the thing happen? You can tell me."

She shrugged her shoulders with so much pity that he dared not continue.
He became contemptuous again.

"Do you imagine that I shall aid you in saving appearances, that I shall
return to your house, that I shall continue to call on your husband?"

"I think you will continue to do what a gentleman should. I ask nothing
of you. I should have liked to preserve of you the reminiscence of an
excellent friend. I thought you might be indulgent and kind to, me, but
it is not possible. I see that lovers never separate kindly. Later, you
will judge me better. Farewell!"

He looked at her. Now his face expressed more pain than anger. She
never had seen his eyes so dry and so black. It seemed as if he had
grown old in an hour.

"I prefer to tell you in advance. It will be impossible for me to see
you again. You are not a woman whom one may meet after one has been
loved by her. You are not like others. You have a poison of your own,
which you have given to me, and which I feel in me, in my veins. Why
have I known you?"

She looked at him kindly.

"Farewell! Say to yourself that I am not worthy of being regretted so
much."

Then, when he saw that she placed her hand on the latch of the door,
when he felt at that gesture that he was to lose her, that he should
never have her again, he shouted. He forgot everything. There remained
in him only the dazed feeling of a great misfortune accomplished,
of an irreparable calamity. And from the depth of his stupor a desire
ascended. He desired to possess again the woman who was leaving him and
who would never return. He drew her to him. He desired her, with all
the strength of his animal nature. She resisted with all the force of
her will, which was free and on the alert. She disengaged herself,
crumpled, torn, without even having been afraid.

He understood that everything was useless; he realized she was no longer
for him, because she belonged to another. As his suffering returned, he
pushed her out of the door.

She remained a moment in the corridor, proudly waiting for a word.

But he shouted again, "Go!" and shut the door violently.

On the Via Alfieri, she saw again the pavilion in the rear of the
courtyard where pale grasses grew. She found it silent and tranquil,
faithful, with its goats and nymphs, to the lovers of the time of the
Grand Duchess Eliza. She felt at once freed from the painful, brutal
world, and transported to ages wherein she had not known the sadness of
life. At the foot of the stairs, the steps of which were covered with
roses, Dechartre was waiting. She threw herself in his arms. He carried
her inert, like a precious trophy before which he had become pallid and
trembling. She enjoyed, her eyelids half closed, the superb humiliation
of being a beautiful prey. Her fatigue, her sadness, her disgust with
the day, the reminiscence of violence, her regained liberty, the need of
forgetting, remains of fright, everything vivified, awakened her
tenderness. She threw her arms around the neck of her lover.

They were as gay as children. They laughed, said tender nothings,
played, ate lemons, oranges, and other fruits piled up near-them on
painted plates. Her lips, half-open, showed her brilliant teeth. She
asked, with coquettish anxiety, if he were not disillusioned after the
beautiful dream he had made of her.

In the caressing light of the day, for the enjoyment of which he had
arranged, he contemplated her with youthful joy. He lavished praise and
kisses upon her. They forgot themselves in caresses, in friendly
quarrels, in happy glances.

He asked her how a little red mark on her temple had come there. She
replied that she had forgotten; that it was nothing. She hardly lied;
she had really forgotten.

They recalled to each other their short but beautiful history, all their
life, which began upon the day when they had met.

"You know, on the terrace, the day after your arrival, you said vague
things to me. I guessed that you loved me."

"I was afraid to seem stupid to you."

"You were, a little. It was my triumph. It made me impatient to see you
so little troubled near me. I loved you before you loved me. Oh, I do
not blush for it!"

He gave her a glass of Asti. But there was a bottle of Trasimene. She
wished to taste it, in memory of the lake which she had seen silent and
beautiful at night in its opal cup. That was when she had first visited
Italy, six years before.

He chided her for having discovered the beauty of things without his aid.

She said:

"Without you, I did not know how to see anything. Why did you not come
to me before?"

He closed her lips with a kiss. Then she said:

"Yes, I love you! Yes, I never have loved any one but you!"




CHAPTER XXII

A MEETING AT THE STATION

Le Menil had written: "I leave tomorrow evening at seven o'clock. Meet
me at the station."

She had gone to meet him. She saw him in long coat and cape, precise and
calm, in front of the hotel stages. He said only:

"Ah, you have come."

"But, my friend, you called me."

He did not confess that he had written in the absurd hope that she would
love him again and that the rest would be forgotten, or that she would
say to him: "It was only a trial of your love."

If she had said so he would have believed her, however.

Astonished because she did not speak, he said, dryly:

"What have you to say to me? It is not for me to speak, but for you.
I have no explanations to give you. I have not to justify a betrayal."

"My friend, do not be cruel, do not be ungrateful. This is what I had to
say to you. And I must repeat that I leave you with the sadness of a
real friend."

"Is that all? Go and say this to the other man. It will interest him
more than it interests me."

"You called me, and I came; do not make me regret it."

"I am sorry to have disturbed you. You could doubtless find a better
employment for your time. I will not detain you. Rejoin him, since you
are longing to do so."

At the thought that his unhappy words expressed a moment of eternal human
pain, and that tragedy had illustrated many similar griefs, she felt all
the sadness and irony of the situation, which a curl of her lips
betrayed. He thought she was laughing.

"Do not laugh; listen to me. The other day, at the hotel, I wanted to
kill you. I came so near doing it that now I know what I escaped.
I will not do it. You may rest secure. What would be the use? As I
wish to keep up appearances, I shall call on you in Paris. It will
grieve me to learn that you can not receive me. I shall see your
husband, I shall see your father also. It will be to say good-by to
them, as I intend to go on a long voyage. Farewell, Madame!"

At the moment when he turned his back to her, Therese saw Miss Bell and
Prince Albertinelli coming out of the freight-station toward her. The
Prince was very handsome. Vivian was walking by his side with the
lightness of chaste joy.

"Oh, darling, what a pleasant surprise to find you here! The Prince, and
I have seen, at the customhouse, the new bell, which has just come."

"Ah, the bell has come?"

"It is here, darling, the Ghiberti bell. I saw it in its wooden cage.
It did not ring, because it was a prisoner. But it will have a campanile
in my Fiesole house.

"When it feels the air of Florence, it will be happy to let its silvery
voice be heard. Visited by the doves, it will ring for all our joys and
all our sufferings. It will ring for you, for me, for the Prince, for
good Madame Marmet, for Monsieur Choulette, for all our friends."

"Dear, bells never ring for real joys and for real sufferings. Bells are
honest functionaries, who know only official sentiments."

"Oh, darling, you are much mistaken. Bells know the secrets of souls;
they know everything. But I am very glad to find you here. I know, my
love, why you came to the station. Your maid betrayed you. She told me
you were waiting for a pink gown which was delayed in coming and that you
were very impatient. But do not let that trouble you. You are always
beautiful, my love."

She made Madame Martin enter her wagon.

"Come, quick, darling; Monsieur Jacques Dechartre dines at the house to-
night, and I should not like to make him wait."

And while they were driving through the silence of the night, through the
pathways full of the fresh perfume of wildflowers, she said:

"Do you see over there, darling, the black distaffs of the Fates, the
cypresses of the cemetery? It is there I wish to sleep."

But Therese thought anxiously: "They saw him. Did they recognize him? I
think not. The place was dark, and had only little blinding lights. Did
she know him? I do not recall whether she saw him at my house last
year."

What made her anxious was a sly smile on the Prince's face.

"Darling, do you wish a place near me in that rustic cemetery? Shall we
rest side by side under a little earth and a great deal of sky? But I do
wrong to extend to you an invitation which you can not accept. It will
not be permitted to you to sleep your eternal sleep at the foot of the
hill of Fiesole, my love. You must rest in Paris, in a handsome tomb, by
the side of Count Martin-Belleme."

"Why? Do you think, dear, that the wife must be united to her husband
even after death?"

"Certainly she must, darling. Marriage is for time and for eternity.
Do you not know the history of a young pair who loved each other in the
province of Auvergne? They died almost at the same time, and were placed
in two tombs separated by a road. But every night a sweetbrier bush
threw from one tomb to the other its flowery branches. The two coffins
had to be buried together."

When they had passed the Badia, they saw a procession coming up the side
of the hill. The wind blew on the candles borne in gilded wooden
candlesticks. The girls of the societies, dressed in white and blue,
carried painted banners. Then came a little St. John, blond, curly-
haired, nude, under a lamb's fleece which showed his arms and shoulders;
and a St. Mary Magdalene, seven years old, crowned only with her waving
golden hair. The people of Fiesole followed. Countess Martin recognized
Choulette among them. With a candle in one hand, a book in the other,
and blue spectacles on the end of his nose, he was singing. His unkempt
beard moved up and down with the rhythm of the song. In the harshness of
light and shade that worked in his face, he had an air that suggested a
solitary monk capable of accomplishing a century of penance.

"How amusing he is!" said Therese. "He is making a spectacle of himself
for himself. He is a great artist."

"Darling, why will you insist that Monsieur Choulette is not a pious man?
Why? There is much joy and much beauty in faith. Poets know this. If
Monsieur Choulette had not faith, he could not write the admirable verses
that he does."

"And you, dear, have you faith?"

"Oh, yes; I believe in God and in the word of Christ."

Now the banners and the white veils had disappeared down the road. But
one could see on the bald cranium of Choulette the flame of the candle
reflected in rays of gold.

Dechartre, however, was waiting alone in the garden. Therese found him
resting on the balcony of the terrace where he had felt the first
sufferings of love. While Miss Bell and the Prince were trying to fix
upon a suitable place for the campanile, Dechartre led his beloved under
the trees.

"You promised me that you would be in the garden when I came. I have
been waiting for you an hour, which seemed eternal. You were not to go
out. Your absence has surprised and grieved me."

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